Beckmann, Max
Max Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity (Neue Sachlichkeit), an outgrowth of Expressionism that opposed its introverted emotionalism. Even when dealing with light subject matter like circus performers, Beckmann often had an undercurrent of moodiness or unease in his works. By the 1930s, his work became more explicit in its horrifying imagery and distorted forms with combination of brutal realism and social criticism, coinciding with the rise of Nazism in Germany.
Read more on Wikipedia →Artworks by Beckmann, Max
Reinhard Piper
Beckmann, Max
Mr. Muller, I and the Barmaid (Herr Müller, ich und die Bufettmamsell)
Beckmann, Max
The Draftsman in Society (Der Zeichner in Gesellschaft)
Beckmann, Max
Reinhard Piper
Beckmann, Max
Self-Portrait
Beckmann, Max
Toilette (Before the Mirror) (Vor dem Spiegel)
Beckmann, Max
Wooden Bridge (Holzbrücke)
Beckmann, Max
Tavern (Kneipe)
Beckmann, Max
Self-Portrait
Beckmann, Max
The Large Operation (Grosse Operation)
Beckmann, Max
Small Self-Portrait
Beckmann, Max
Sleeping Woman (Schlafende)
Beckmann, Max
Horse
Beckmann, Max
Portrait of a Man with a Mustache
Beckmann, Max
Cafe
Beckmann, Max
Dostoyevsky I
Beckmann, Max
Dr. Weidner
Beckmann, Max
Group Portrait, Eden Bar (Gruppenbildnis Edenbar)
Beckmann, Max
Wrestlers (Die Ringer)
Beckmann, Max
The Barker (Der Ausrufer)
Beckmann, Max