Provenance
Baronin Hannah Matilde von Rothschild [1832-1924, wife of Baron Wilhelm Carl von Rothschild], Grünberg and Frankfurt am Main; purchased 1930 by (Wildenstein & Co., Inc., Paris, New York, and London);[1] sold 1946 to the Samuel H. Kress Foundation, New York;[2] gift 1946 to NGA.
[1] During the preparation of the NGA systematic catalogue of its French paintings of the 15th through the 18th century, Joseph Baillio of Wildenstein & Co. kindly provided the year that the company acquired the painting from the Baronin von Rothschild.
[2] See The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/768.
Accession Number
1946.7.19
Medium
oil on canvas
Dimensions
overall: 74.5 x 92.5 cm (29 5/16 x 36 7/16 in.) | framed: 98.1 x 117.5 x 11.4 cm (38 5/8 x 46 1/4 x 4 1/2 in.)
Classification
Painting
Credit Line
Samuel H. Kress Collection
Tags
Painting Baroque (1600–1750) Oil Painting Canvas French
Background & Context
Background Story
Jean-Baptiste Joseph Pater (1695-1736) was a French painter known as the principal follower of Watteau, whose fete champetre paintings of elegant figures in park-like settings derive directly from Watteau's fete galante manner. Fete Champetre from c. 1730 depicts a group of elegant figures in a park setting in the fete galante manner that Pater inherited from Watteau—the outdoor entertainment of fashionable society rendered with the elegance and melancholy that define the Rococo idyll. The c. 1730 date places this in Pater's most productive period, when he was producing the fete champetre paintings that are his most accomplished works.
Cultural Impact
Fete Champetre is important in the history of French Rococo painting because it demonstrates the fete galante manner that Pater inherited from Watteau and transmitted to the next generation of French painters. Pater's fete champetre paintings lack the melancholy that underlies Watteau's best works, but they maintain the elegance and compositional grace that define the fete galante, making Pater's paintings among the most characteristic examples of the Rococo idyll.
Why It Matters
Fete Champetre is Pater's Rococo idyll in the Watteau manner: elegant figures in a park setting rendered with the grace and elegance that Pater inherited from Watteau. The c. 1730 painting maintains the fete galante manner without Watteau's underlying melancholy, creating one of the most characteristic examples of the Rococo idyll.