Provenance
Recorded as from Massachusetts. Purchased in 1952 by Edgar William and Bernice Chrysler Garbisch; gift to NGA, 1956.
Accession Number
1956.13.3
Medium
oil on canvas
Dimensions
overall: 50.8 x 61.3 cm (20 x 24 1/8 in.) | framed: 63.8 x 74 x 5.7 cm (25 1/8 x 29 1/8 x 2 1/4 in.)
Classification
Painting
Credit Line
Gift of Edgar William and Bernice Chrysler Garbisch
Tags
Painting Impressionist & Modern (1851–1900) Oil Painting Canvas American
Background & Context
Background Story
Erastus Salisbury Field (1805-1900) was an American folk painter whose biblical and historical subjects combine naive draftsmanship with powerful design and vivid color. The Ark of the Covenant depicts the biblical ark as described in the Book of Exodus, with Field's characteristic combination of decorative pattern, bold color, and simplified composition. Field's biblical paintings are among the most visually striking works of 19th-century American art: they ignore the academic conventions of perspective and modeling in favor of a flat, patterned approach that gives the biblical subjects a directness and immediacy reminiscent of medieval manuscript illumination.
Cultural Impact
Field's biblical paintings are a unique phenomenon in 19th-century American art—a body of work that combines the narrative directness of medieval art with the flat, patterned aesthetic of American folk painting. The Ark of the Covenant, with its golden chest, its cherubim, and its priestly attendants, is rendered with the decorative precision of a manuscript illumination rather than the spatial realism of academic painting, creating a sacred image that feels both archaic and modern.
Why It Matters
Ark of the Covenant is Field's folk-art biblical painting at its most striking: the ark rendered with the flat, patterned directness of medieval manuscript illumination rather than the spatial realism of academic painting. The result feels both archaic and modern—a sacred image that ignores the rules of perspective to achieve a more direct and immediate impact.