Geese in Flight

Provenance

Recorded as from Union County, New Jersey. George Hasney, New Jersey;[1] sold in 1951 to (Mrs. Frank Bien, Morristown, New Jersey), by whom sold in 1951 to Edgar William and Bernice Chrysler Garbisch; gift to NGA, 1958. [1] Affidavit of ownership, signed by Hasney and dated 16 March 1951, in NGA curatorial file.

Geese in Flight

Bauman, Leila T.

1850 or later

Accession Number

1958.9.1

Medium

oil on canvas

Dimensions

overall: 51.6 x 66.8 cm (20 5/16 x 26 5/16 in.) | framed: 62.2 x 77.4 x 3.8 cm (24 1/2 x 30 1/2 x 1 1/2 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Edgar William and Bernice Chrysler Garbisch

Tags

Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas American

Background & Context

Background Story

Leila T. Bauman was an American painter of the 19th century whose work Geese in Flight from 1850 or later depicts geese in flight in the naturalistic manner that distinguishes the American animal painting tradition. The subject of geese in flight—combining naturalistic observation with the sense of movement that distinguishes the best animal painting—was a popular one in 19th-century American art, reflecting the period's interest in the natural world and the American landscape. Bauman's painting shows the naturalistic animal tradition that was an important part of 19th-century American art, particularly as practiced by women artists who were often encouraged toward still life and animal subjects.

Cultural Impact

Geese in Flight is important in the context of 19th-century American art because it demonstrates the naturalistic animal painting tradition that was an important part of American art, particularly as practiced by women artists. The subject of geese in flight—combining naturalistic observation with the sense of movement—was popular in 19th-century American art, and Bauman's painting shows this tradition at a competent level of accomplishment.

Why It Matters

Geese in Flight is an example of the naturalistic animal painting tradition in 19th-century American art: geese rendered with the sense of movement and naturalistic observation that distinguish the best animal painting. The painting from 1850 or later shows the tradition that was particularly important for women artists.