Harriet Lancashire White (Mrs. Edward Laurence White) and Her Children, Sarah and Laurence

Provenance

The sitter, Harriet Lancashire White [1884-1961, Mrs. Edward Laurance White], Beverly Farms, Massachusetts; gift 1961 to NGA.

Harriet Lancashire White (Mrs. Edward Laurence White) and Her Children, Sarah and Laurence

Emmet, Lydia Field

1922

Accession Number

1961.15.1

Medium

oil on canvas

Dimensions

overall: 137.3 x 117.3 cm (54 1/16 x 46 3/16 in.) | framed: 151.8 x 131.4 x 5.1 cm (59 3/4 x 51 3/4 x 2 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Mrs. E. Laurence White

Tags

Painting Early Modern (1901–1950) Oil Painting Canvas American

Background & Context

Background Story

Lydia Field Emmet (1866-1952) was an American portrait painter known for her portraits of women and children in the elegant manner that distinguishes the best American portraiture of the early 20th century. The portrait of Harriet Lancashire White and her children from 1922 depicts a mother and two children in the elegant, intimate manner that makes Emmet's portraits among the most accomplished of American portrait painting between the wars. The 1922 date places this in Emmet's most productive period, when she was producing portraits of American society families with the elegance and intimacy that distinguish her best work.

Cultural Impact

Emmet's portrait of Harriet Lancashire White and her children is important in the history of American portrait painting because it demonstrates the elegant, intimate manner that distinguishes the best American portraiture between the wars. The mother-and-children subject allows Emmet to exercise her talent for combining elegance with intimacy—official portraiture with domestic warmth—creating a type of portrait that is simultaneously formal and personal.

Why It Matters

Harriet Lancashire White and her children is Emmet's elegant American portraiture at its most intimate: a mother and two children rendered with the combination of elegance and domestic warmth that distinguishes her best work. The 1922 portrait shows American society portraiture between the wars at its most accomplished.