Long-Tailed Red Fox

Provenance

The artist [1812-1862]; probably by inheritance to his second wife, Caroline Hall Audubon [1811-1899], Salem, New York; by inheritance to their son, William Bakewell Audubon [1847-1932], Australia; by inheritance to his son, Leonard Benjamin Audubon [1888-1951], Sydney, Australia;[1] sold 1950 to E.J.L. Hallstrom [1886-1970], Sydney, Australia; gift 1951 to NGA. [1] Handwritten in ink on the back of the painting is: "B.P. Audubon." John James Audubon had four children, one of whom was John Woodhouse Audubon [1812-1862]. The younger Audubon married twice; he had two children with his first wife, Maria Bachman [1816-1840], and seven with his second wife, Caroline Hall [1811-1899]. Of the seven, five lived to adulthood, and the youngest was Benjamin P. Audubon [1855-1886], whose name is written on the back of the painting. His older brother, William Bakewell Audubon [1847-1932], left the United States for Australia in either 1880 or 1882. He began a new life raising sheep near Yass, a small town about 250 miles west of Sydney. He married Lucy Ann Grovenor in 1885, and they had two children, Leonard Benjamin and Ella Caroline. According to a letter of 9 July 1952 from Ella Caroline Audubon to John Walker (in NGA curatorial files), Audubon paintings were sent to Australia in 1899 or 1900, which would correspond with the death of Caroline Hall Audubon on 1 February 1899. Miss Audubon's letter states that her father arrived in Australia 8 April 1880. However, Walter Audubon gives 21 January 1882 as the date that William Bakewell Audubon sailed for Australia, and he writes also that it was William who "brought with him many paintings by his grandfather, John James Audubon" (see Walter Audubon, _Last of the Audubon Line: The Descendants of John Woodhouse Audubon_, Franklin, North Carolina, 2002: 72-79).

Long-Tailed Red Fox

Audubon, John Woodhouse

1848/1854

Accession Number

1951.9.9

Medium

oil on canvas

Dimensions

overall: 56.2 x 69.3 cm (22 1/8 x 27 5/16 in.) | framed: 62.6 x 75.7 x 4.1 cm (24 5/8 x 29 13/16 x 1 5/8 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of E.J.L. Hallstrom

Tags

Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas American

Background & Context

Background Story

Long-Tailed Red Fox is a painting by John Woodhouse Audubon, created between 1848 and 1854, depicting one of North America's most recognizable and culturally significant mammals. John Woodhouse Audubon (1812-1862) was the younger son of John James Audubon, the legendary naturalist and artist whose Birds of America and Viviparous Quadrupeds of North America defined the visual representation of American wildlife for generations. After his father's declining health made it impossible for him to continue the Quadrupeds project unaided, John Woodhouse assumed a major role in completing the work, contributing numerous paintings that sustained the high standards of the family enterprise while developing his own artistic identity. The red fox was included in the Quadrupeds of North America as one of the continent's most widespread and adaptable predators. Native to forests, grasslands, and increasingly to suburban areas, the red fox had long been a subject of interest for naturalists, hunters, and artists alike. In American culture, the fox occupied an ambivalent position—admired for its cunning and beauty while regarded as a threat to poultry and game. The painting would have been based on extensive field study combined with the specimen-based approach that the Audubon enterprise made standard practice in American wildlife illustration. The period of this work, 1848-1854, was a challenging one for the Audubon family. John James Audubon's health was failing, the Quadrupeds project was enormously expensive to produce, and the family faced financial pressures that would continue after the patriarch's death in 1851. John Woodhouse's contributions to the project demonstrated both his filial dedication and his own considerable skills as a wildlife artist, though he has often been overshadowed by his father's towering reputation.

Cultural Impact

The Audubon family's work on the Quadrupeds of North America extended the documentary mission that John James Audubon had begun with the Birds of America, creating an unprecedented record of American mammal life at a moment when westward expansion was rapidly transforming the continent. John Woodhouse Audubon's contributions to this project helped complete one of the most ambitious publishing ventures in American natural history.

Why It Matters

This painting matters as part of the Audubon family's monumental effort to document American wildlife, representing the contributions of John Woodhouse Audubon to one of the most significant works of American natural history illustration, and preserving an image of the red fox as it was understood before the dramatic environmental changes of the late nineteenth century.