Mrs. Charles S. Carstairs

Provenance

Mrs. Charles Stewart Carstairs [née Elizabeth Stebbins, d. 1949], Lockport, New York, and Paris;[1] bequest 1952 to NGA. [1] The sitter's maiden name is provided in a letter of 13 February 1995 from Dr. Lorne Campbell, in NGA curatorial files.

Mrs. Charles S. Carstairs

Orpen, William, Sir

1914

Accession Number

1952.9.3

Medium

oil on canvas

Dimensions

overall: 99.7 x 87 cm (39 1/4 x 34 1/4 in.) | framed: 119.4 x 107.3 x 7 cm (47 x 42 1/4 x 2 3/4 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Mrs. Charles S. Carstairs

Tags

Painting Early Modern (1901–1950) Oil Painting Canvas

Background & Context

Background Story

Sir William Orpen (1878-1931) was an Irish painter known for the elegant, accomplished portraits that made him one of the most successful portrait painters of the Edwardian era. Mrs. Charles S. Carstairs from 1914 depicts the wife of the art dealer Charles Carstairs in the elegant, accomplished manner that distinguishes Orpen's best society portraits from the more formal work of his contemporaries. The 1914 date places this at the beginning of World War I, when Orpen would soon be appointed an official war artist, and the portrait shows the Edwardian society world in its final moments before the war transformed it.

Cultural Impact

Mrs. Charles S. Carstairs is important in the history of Edwardian portraiture because it demonstrates the elegant, accomplished manner that Orpen brought to society portraiture as one of the most successful portrait painters of the Edwardian era. Orpen's society portraits—combining elegant composition with accomplished brushwork—represent the last great tradition of British society portraiture before World War I transformed the society world that produced it, and the 1914 portrait shows this tradition in its final moments.

Why It Matters

Mrs. Charles S. Carstairs is Orpen's Edwardian society portraiture: the wife of an art dealer rendered in the elegant, accomplished manner of one of the most successful portrait painters of the Edwardian era. The 1914 portrait captures the Edwardian society world in its final moments before World War I transformed it.