Mahantango Valley Farm

Provenance

Recorded as from a farmhouse in Mahantango Valley, Pennsylvania. (John H. Chamberlain, Delaware Water Gap, Pennsylvania), by whom sold in 1947 to Edgar William and Bernice Chrysler Garbisch; gift to NGA, 1953.

Mahantango Valley Farm

American 19th Century

late 19th century

Accession Number

1953.5.93

Medium

oil on window shade

Dimensions

overall: 71.1 x 92.2 cm (28 x 36 5/16 in.) | framed: 85.1 x 106 x 5.3 cm (33 1/2 x 41 3/4 x 2 1/16 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Edgar William and Bernice Chrysler Garbisch

Tags

Painting Neoclassical & Romantic (1751–1850) Oil Painting American

Background & Context

Background Story

Mahantango Valley Farm from the late 19th century depicts a farm in the Mahantango Valley of Pennsylvania in the unusual medium of oil on window shade. The window shade support is characteristic of American folk painting of the 19th century, when itinerant painters produced decorative paintings on window shades, fire screens, and other household items for rural households that could not afford more expensive works of art. The Mahantango Valley subject reflects the regional landscape of central Pennsylvania that provided subjects for the folk painters who served rural households.

Cultural Impact

Mahantango Valley Farm is important in the history of American art because it demonstrates the folk painting tradition that served rural households in the 19th century. The oil on window shade support is characteristic of the itinerant painters who produced decorative paintings for households that could not afford more expensive works of art, and the painting records both the regional landscape of central Pennsylvania and the folk art tradition that served rural American communities.

Why It Matters

Mahantango Valley Farm is American folk painting on an unusual support: a Pennsylvania farm rendered in oil on window shade by an itinerant painter serving rural households that could not afford more expensive art. The late 19th century painting records both the regional landscape and the folk art tradition of rural America.