Village by the River

Provenance

Recorded as from Vermont. Purchased in 1952 by Edgar William and Bernice Chrysler Garbisch; gift to NGA, 1958.

Village by the River

American 19th Century

fourth quarter 19th century

Accession Number

1958.9.14

Medium

oil on canvas

Dimensions

overall: 51 x 85.1 cm (20 1/16 x 33 1/2 in.) | framed: 64.7 x 99 x 5 cm (25 1/2 x 39 x 1 15/16 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Edgar William and Bernice Chrysler Garbisch

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting Canvas American

Background & Context

Background Story

Village by the River from the fourth quarter of the 19th century depicts a New England or mid-Atlantic village on a river in the pastoral landscape manner that characterizes American genre landscape painting of the late 19th century. The village-by-river subject combines the topographical specificity of American regional landscape with the pastoral ideal of village life that was a staple of American genre painting. The fourth quarter 19th century date places this in the period when American landscape painting was moving from the grand manner of the Hudson River School to the more intimate pastoral subjects that would characterize the late 19th century.

Cultural Impact

Village by the River is important in the history of American landscape painting because it demonstrates the shift from the grand manner of the Hudson River School to the more intimate pastoral subjects of the late 19th century. The village-by-river subject combines topographical specificity with the pastoral ideal of village life, creating a type of American landscape painting that is both regionally specific and universally appealing.

Why It Matters

Village by the River is American landscape moving from grand to pastoral: a village on a river that demonstrates the shift from the Hudson River School's grand manner to the more intimate pastoral subjects of the late 19th century. The fourth quarter 19th century painting combines regional specificity with the pastoral ideal of village life.