Provenance
Savile family, Rufford Abbey, Nottinghamshire, possibly Sir John Savile, 1st baron Savile [1818-1896], or his nephew John Savile Savile-Lumley, 2nd baron Savile [1853-1931]; the latter's son, George Halifax Lumley-Savile, 3rd baron Savile [1919-2008], Rufford Abbey; (Savile family sale, Christie, Manson & Woods, London, 18 November 1938, no. 123); Rupert L. Joseph [d. 1959], New York;[1] bequest 1960 to NGA.
[1] Labels on the stretcher indicate that the painting was lent by Mr. Joseph to the Joslyn Art Museum, Omaha, Nebraska, in 1942 and the Museum of Fine Arts, Springfield, Massachusetts, in 1948. The loan to the museum in Springfield lasted at least until 1955; see the letter of 23 May 1955 from Frederick B. Robinson, director of the museum, to Mr. Joseph, to which was attached a list of the objects currently on loan from the collector (Rupert L. Joseph Papers, MssCol 1598, Manuscripts and Archives DIvision, New York Public Library: box 2, folder 1; copy in NGA curatorial files).
Accession Number
1960.2.1
Medium
oil on canvas
Dimensions
overall: 76.3 x 97.5 cm (30 1/16 x 38 3/8 in.) | framed: 98.4 x 118.4 x 6.7 cm (38 3/4 x 46 5/8 x 2 5/8 in.)
Classification
Painting
Credit Line
Gift of Rupert L. Joseph