Possibly Van der Bogaerde collection, 's-Hertogenbosch.[1] possibly L. Baron, Paris; possibly (sale, Christie, Manson & Woods, London, 23 November 1901, no. 142); Pollard.[2] Mr. J.C. Bennett; (sale, Christie, Manson & Woods, London, 20 December 1902, no. 80); (P. & D. Colnaghi & Co., Ltd.).[3] (Eugene Fischof, Paris); purchased 1903 by Clement Acton Griscom [1841-1912], Philadelphia;[4] (his sale, Plaza Art Galleries, New York, 26-27 February 1914, no. 11);[5] William Robertson Coe [1869-1955], Oyster Bay, Long Island, New York; Coe Foundation, New York; gift 1961 to NGA. [1] This early provenance information was cited in the 1914 auction catalogue for the Griscom Collection. [2] Lynda McLeod, Librarian, Christie's Archives, London, kindly provided the names of the consignor and buyer at the 1901 sale; see her e-mail of 1 August 2012, in NGA curatorial files. There is no size information in the sale catalogue, and the description is very brief, so it is not certain this is the same painting. [3] A note in NGA curatorial files indicates that Colnaghi purchased the painting that was no. 80 in the 1902 sale. This was kindly confirmed by Lynda McLeod, Librarian, Christie's Archives, London, who also provided the name of the consignor; see her e-mail of 28 March 2013, in NGA curatorial files. [4] The 1903 purchase date is in the 1914 sale catalogue. [5] An annotated copy of the sale catalogue in the NGA library records the buyer as an anonymous bidder. W.R. Coe’s letter of 12 May 1942 to David Finley (copy in NGA curatorial files) confirms Coe’s purchase at the 1914 sale.