Provenance
Recorded as from Massachusetts. Purchased in 1949 by Edgar William and Bernice Chrysler Garbisch; gift to NGA, 1978.
Accession Number
1978.80.4
Medium
oil on canvas
Dimensions
overall: 89 x 116.8 cm (35 1/16 x 46 in.)
Classification
Painting
Credit Line
Gift of Edgar William and Bernice Chrysler Garbisch
Tags
Painting Impressionist & Modern (1851–1900) Oil Painting Canvas American
Background & Context
Background Story
Pharaoh's Army Marching depicts the Egyptian army in pursuit of the fleeing Israelites, one of the most dramatic episodes in the Exodus narrative. Field's treatment organizes the army as a decorative pattern of soldiers, chariots, and horses arranged in a frieze-like composition that emphasizes the visual rhythm of the military procession rather than the spatial depth of the battlefield. The flat, patterned approach gives the army the quality of a processional relief—the Egyptian military rendered with the decorative precision of a medieval tapestry rather than the tactical realism of a history painting.
Cultural Impact
Field's Pharaoh's Army Marching is a folk-art alternative to the academic tradition of military painting. Where academic painters rendered armies with spatial depth, atmospheric perspective, and tactical realism, Field renders Pharaoh's army as a decorative procession—a pattern of soldiers and chariots that emphasizes the visual rhythm of military power rather than its tactical deployment. The result is a military painting that feels both archaic and modern.
Why It Matters
Pharaoh's Army Marching is Field's folk-art military painting at its most decorative: the Egyptian army arranged in a frieze-like procession that emphasizes visual rhythm over tactical realism. The result is a military image that feels like a medieval tapestry—flat, patterned, and directly narrative, with no academic pretensions to spatial depth.