Provenance
Borros de Gamançon, Périgeux, mid-1800s. private collection, near Bordeaux, by 1989;[1] (sale, Drouot Richelieu, Paris, 11 December 1989, no. 58, as _Les tricheurs_); Jacques Chevreux, Paris; purchased 17 November 1998 through (Eric Turquin, Paris) by NGA.
[1] According to Pierre Rosenberg (see note in NGA curatorial files), the painting had been in the collection of Borros de Gamançon, who was a mayor of Périgeux in the 19th century, and it was likely his descendants who sold the painting in 1989.
Accession Number
1998.104.1
Medium
oil on canvas
Dimensions
overall: 121 x 152 cm (47 5/8 x 59 13/16 in.) | framed: 145.1 x 187 x 11.4 cm (57 1/8 x 73 5/8 x 4 1/2 in.)
Classification
Painting
Credit Line
Patrons' Permanent Fund
Tags
Painting Baroque (1600–1750) Oil Painting Canvas French
Background & Context
Background Story
Valentin de Boulogne (c. 1591-1632) was a French painter who worked in Rome, known for the dark, dramatically lit genre subjects that make him the most accomplished French follower of Caravaggio. Soldiers Playing Cards and Dice (The Cheats) from c. 1618-20 depicts card sharps and dice players in the dark, dramatically lit manner that Valentin learned from Caravaggio and developed into his own more psychologically complex style. The c. 1618-20 date places this in Valentin's early Roman period, when he was producing the genre subjects that are his most accomplished works.
Cultural Impact
The Cheats is important in the history of Caravaggism because it demonstrates the dark, dramatically lit genre manner that Valentin developed from Caravaggio's example. The card sharp subject was a favorite of Caravaggio and his followers because it allowed the depiction of deceit and psychological drama in the dramatic chiaroscuro that Caravaggio invented, and Valentin's treatment is among the most psychologically complex in the Caravaggist tradition.
Why It Matters
The Cheats is Valentin's Caravaggist psychological drama: card sharps and dice players rendered in the dark, dramatically lit manner that Valentin developed from Caravaggio's example into his own more psychologically complex style. The c. 1618-20 painting is Caravaggism at its most psychologically perceptive.