Self-Portrait as a Lute Player

Provenance

Private collection; (sale, Christie, Manson & Woods, London, 11 July 1980, no. 112); exported to Switzerland; (Galerie Sanct Lucas, Vienna), by 1981; private collection; (Galerie Sanct Lucas, Vienna); purchased 1996 by Philip and Lizanne Cunningham, Alexandria, Virginia; (Christie's, New York); purchased 2015 by NGA.

Self-Portrait as a Lute Player

Molenaer, Jan Miense

c. 1637/1638

Accession Number

2015.20.1

Medium

oil on panel

Dimensions

overall: 38.7 x 32.4 cm (15 1/4 x 12 3/4 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

The Lee and Juliet Folger Fund

Tags

Painting Baroque (1600–1750) Oil Painting Panel Painting Dutch

Background & Context

Background Story

Jan Miense Molenaer (c. 1610-1668) was a Dutch Golden Age painter known for his genre scenes of music-making, gambling, and domestic life in the cheerful, narrative manner that distinguishes his work from the more darkly lit genre subjects of the Caravaggists. Self-Portrait as a Lute Player from c. 1637-38 depicts the artist himself playing the lute in the cheerful, narrative manner that distinguishes his best genre scenes. The self-portrait format allows Molenaer to combine genre subject with self-portraiture in a painting that is simultaneously a genre scene of music-making and a personal statement of the artist's identity.

Cultural Impact

Self-Portrait as a Lute Player is important in Molenaer's oeuvre because it combines genre subject with self-portraiture in a painting that is simultaneously a genre scene of music-making and a personal statement. The lute was a common symbol of the transience of earthly pleasure in Dutch genre painting, and Molenaer's self-portrait as a lute player shows the artist identifying himself with the vanitas subject that is one of the central themes of Dutch genre painting.

Why It Matters

Self-Portrait as a Lute Player is Molenaer's genre meets self-portraiture: the artist playing the lute in a painting that is simultaneously a cheerful genre scene and a personal statement of artistic identity. The c. 1637-38 self-portrait combines two genres—music-making and self-portraiture—in a uniquely personal type of Dutch genre painting.