Mount Desert Island, Maine

Provenance

The artist [1828-1891]; (his estate sale, Fifth Avenue Art Galleries, New York, 29-30 March 1892, 2nd day, no. 89, as _On Mt. Desert_). Private collection.[1] (Berry-Hill Galleries, Inc., New York); acquired 1999 by John Wilmerding; gift 2016 to NGA. [1] According to the catalogue of the 1997-1998 exhibition at Beacon Hill Fine Art in New York that included the painting.

Mount Desert Island, Maine

McEntee, Jervis

1864

Accession Number

2016.141.1

Medium

oil on canvas

Dimensions

overall: 27.1 × 40.4 cm (10 11/16 × 15 7/8 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of John Wilmerding in honor of Jo Ann and Julian Ganz

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting Canvas American

Background & Context

Background Story

Jervis McEntee (1828-1891) was an American painter known for the atmospheric, melancholy landscapes that make him one of the most distinctive painters of the Hudson River School. Mount Desert Island, Maine from 1864 depicts the Maine landscape in the atmospheric, melancholy manner that distinguishes McEntee's best work from the more grandiose landscape painting of his Hudson River School contemporaries. The 1864 date places this during the Civil War, and McEntee's atmospheric, melancholy approach to landscape has often been connected to the melancholy of the wartime period.

Cultural Impact

Mount Desert Island, Maine is important in the history of American landscape painting because it demonstrates the atmospheric, melancholy manner that McEntee brought to landscape painting as one of the most distinctive painters of the Hudson River School. McEntee's atmospheric, melancholy landscapes—emphasizing mood over grandeur—represent an alternative to the more grandiose manner of the Hudson River School, and the 1864 painting shows this alternative in the context of the Civil War period.

Why It Matters

Mount Desert Island, Maine is McEntee's melancholy Hudson River School: the Maine landscape rendered in the atmospheric, melancholy manner of one of the most distinctive painters of the Hudson River School. The 1864 painting shows the alternative to grandiose landscape—mood over grandeur—in the context of the Civil War period.