Shepherd with His Flock

Provenance

(James Mackinnon, London); purchased March 1998 by Frank Anderson Trapp [1922-2005], Pittsburgh; gift 2004 to NGA.

Shepherd with His Flock

Bertin, Jean-Victor

c. 1820

Accession Number

2004.166.3

Medium

oil on canvas

Dimensions

overall: 21 x 30.5 cm (8 1/4 x 12 in.) | framed: 34.6 x 46 x 7.6 cm (13 5/8 x 18 1/8 x 3 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Frank Anderson Trapp

Tags

Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas French

Background & Context

Background Story

Jean-Victor Bertin (1767-1842) was a French Neoclassical landscape painter whose mythological and pastoral subjects exemplified the historical landscape tradition of the early 19th century. Shepherd with His Flock presents a pastoral subject in the idealized manner that Bertin inherited from his teacher Pierre-Henri de Valenciennes—the shepherd and his flock are not observed from nature but composed according to academic principles of landscape construction, with carefully balanced groups of trees, graded planes of recession, and a golden evening light that idealizes the rural scene. The 1820 date places this in Bertin's mature period, when his compositional formulas were fully developed.

Cultural Impact

Bertin's pastoral landscapes participated in the academic tradition of historical landscape painting (paysage historique) that dominated French landscape theory from the 18th century through the early 19th. In this tradition, the landscape was not observed but constructed—organized according to principles of balance, variety, and decorum that derived from history painting rather than from direct observation of nature. The shepherd with his flock was a standard pastoral subject that allowed Bertin to demonstrate his command of these compositional principles.

Why It Matters

Shepherd with His Flock is Bertin's academic landscape tradition at its most characteristic: an idealized pastoral scene composed according to principles of balance, variety, and decorum rather than observed from nature. The shepherd and flock are not real rural workers but academic pastoral figures, placed in a landscape that is a construction, not a view.