The Scuola di San Marco, Venice

Provenance

The artist [1803-1854], Paris; (his estate sale, Hôtel Drouot, Paris, 22-24 March 1855, 1st day, no. 49_bis_ [with NGA 2004.166.24]). (James Mackinnon, London); purchased March 1997 by Frank Anderson Trapp [1922-2005], Pittsburgh; gift 2004 to NGA.

The Scuola di San Marco, Venice

Joyant, Jules-Romain

c. 1830

Accession Number

2004.166.25

Medium

oil on paper on canvas

Dimensions

overall: 15.5 x 23.5 cm (6 1/8 x 9 1/4 in.) | framed: 32.5 x 40.6 x 5.1 cm (12 13/16 x 16 x 2 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Frank Anderson Trapp

Tags

Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas French

Background & Context

Background Story

The Scuola di San Marco, Venice from c. 1830 is Joyant's second view of a Venetian building, depicting the famous Scuola di San Marco in the precisely observed, architectural manner that distinguishes his best Venetian views. The Scuola di San Marco is one of the most important buildings in Venice, and Joyant's precisely observed view shows the building's famous Renaissance facade in the architectural detail that makes veduta painting one of the most accomplished types of view painting. The c. 1830 date places this in Joyant's Italian period, alongside his view of San Trovaso, when he was producing his most accomplished Venetian views.

Cultural Impact

The Scuola di San Marco, Venice is important in the history of the veduta tradition as Joyant's precisely observed view of one of Venice's most important buildings. The Scuola di San Marco—with its famous Renaissance facade—is one of the most architecturally significant buildings in Venice, and Joyant's precisely observed view shows this significance in the architectural detail that makes veduta painting one of the most accomplished types of view painting.

Why It Matters

The Scuola di San Marco, Venice is Joyant's architectural veduta: one of Venice's most important buildings rendered in the precisely observed manner that makes veduta painting one of the most accomplished types of view painting. The c. 1830 painting shows the famous Renaissance facade in architectural detail alongside Joyant's view of San Trovaso.