Provenance
(James Mackinnon, London); purchased September 1999 by Frank Anderson Trapp [1922-2005], Pittsburgh; gift 2004 to NGA.
Accession Number
2004.166.33
Medium
oil on paper on canvas
Dimensions
overall: 43.2 x 59.7 cm (17 x 23 1/2 in.) | framed: 55.9 x 71.8 x 5.1 cm (22 x 28 1/4 x 2 in.)
Classification
Painting
Credit Line
Gift of Frank Anderson Trapp
Tags
Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas French
Background & Context
Background Story
Louise-Josephine Sarazin de Belmont (1790-1870) was a French painter known for the precisely observed landscape views of Italy that make her one of the most accomplished women landscape painters of the early 19th century. The Roman Theater at Taormina from 1828 depicts the famous Sicilian theater in the precisely observed, atmospheric manner that distinguishes Sarazin de Belmont's best Italian views from the more idealized landscape painting of her contemporaries. The 1828 date places this in Sarazin de Belmont's Italian period, when she was producing the precisely observed Italian landscapes that are her most accomplished works, and the Taormina subject connects her to the long tradition of French artists painting Italian subjects.
Cultural Impact
The Roman Theater at Taormina is important in the history of French landscape painting because it demonstrates the precisely observed, atmospheric manner that Sarazin de Belmont brought to Italian landscape as one of the most accomplished women landscape painters of the early 19th century. Sarazin de Belmont's Italian landscapes—combining precise observation with atmospheric effect in the tradition of the French pensionnaires in Rome—represent an accomplished tradition of women's landscape painting, and the 1828 painting shows this tradition at its most precise and atmospheric.
Why It Matters
The Roman Theater at Taormina is Sarazin de Belmont's precisely observed Italian landscape: the famous Sicilian theater rendered in the atmospheric manner of one of the most accomplished women landscape painters of the early 19th century. The 1828 painting shows a woman artist contributing to the long tradition of French artists painting Italian subjects with precision and atmosphere.