Saying Grace

Provenance

(Sale, Gottfried von Preyer, Vienna, 1902). purchased c. 1902 by William A. Clark [1839-1925], New York, as Gerard Dou; bequest 1926 to the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art.

Saying Grace

Mieris, Frans van

c. 1650/1655

Accession Number

2014.136.31

Medium

oil on panel

Dimensions

overall: 34.3 x 40 cm (13 1/2 x 15 3/4 in.) | framed: 57.31 × 63.02 × 6.99 cm (22 9/16 × 24 13/16 × 2 3/4 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Corcoran Collection (William A. Clark Collection)

Tags

Painting Baroque (1600–1750) Oil Painting Panel Painting Dutch

Background & Context

Background Story

Frans van Mieris (1635-1681) was a Dutch genre painter of the Leiden fijnschilders (fine painters), known for his meticulously rendered small-scale scenes of everyday life that combine technical brilliance with moralizing narrative. Saying Grace from c. 1650-55 depicts a family saying grace before a meal in the interior genre tradition that Van Mieris and his Leiden colleagues perfected. The painting's small scale and meticulous finish demonstrate the fijnschilders' commitment to rendering every detail with the precision that their aristocratic and bourgeois collectors demanded, and the domestic subject of saying grace allows Van Mieris to combine genre painting with moral instruction.

Cultural Impact

Van Mieris's Saying Grace is important in the history of Dutch genre painting because it demonstrates the Leiden fijnschilders' combination of technical brilliance and moralizing narrative that made their small-scale paintings among the most expensive and sought-after in the Dutch Golden Age. The domestic subject of saying grace allows Van Mieris to combine the genre painter's observation of everyday life with the moral instruction that Dutch collectors expected from their paintings.

Why It Matters

Saying Grace is Van Mieris combining genre observation with moral instruction: a family saying grace before a meal rendered with the meticulous finish that defines the Leiden fijnschilders. The c. 1650-55 painting demonstrates the Dutch Golden Age ideal of combining technical brilliance with moralizing narrative in small-scale domestic subjects.