Provenance
Félix Perrin, Grenoble. probably (sale, Marseille, 7-9 December 1926). (Eric Turquin, Paris); purchased 29 June 2007 by NGA.
Accession Number
2007.73.1
Medium
oil on canvas
Dimensions
overall: 66 x 115 cm (26 x 45 1/4 in.) | framed: 91.44 × 142.88 × 10.16 cm (36 × 56 1/4 × 4 in.)
Classification
Painting
Credit Line
Chester Dale Fund
Tags
Painting Impressionist & Modern (1851–1900) Oil Painting Canvas French
Background & Context
Background Story
Paul Guigou (1834-1871) was a French painter known for the luminous, precisely observed landscapes of Provence that make him one of the most important predecessors of the Provençal landscape tradition. Washerwomen on the Banks of the Durance from 1866 depicts washerwomen on the banks of the Durance river in Provence in the luminous, precisely observed manner that distinguishes Guigou's best work from the more atmospheric landscape painting of his Barbizon contemporaries. The 1866 date places this in Guigou's most productive period, before his premature death at 37, and the Provençal subject shows his talent for depicting the luminous landscape of the Midi.
Cultural Impact
Washerwomen on the Banks of the Durance is important in the history of French landscape painting because it demonstrates the luminous, precisely observed manner that Guigou brought to Provençal landscape as one of the most important predecessors of the Provençal landscape tradition. Guigou's Provençal landscapes—combining luminous color with precise observation of the Midi—represent an important alternative to the atmospheric Barbizon tradition, and the 1866 painting shows this alternative at its most luminous.
Why It Matters
Washerwomen on the Banks of the Durance is Guigou's luminous Provençal landscape: washerwomen on the Durance river rendered in the precisely observed, luminous manner of one of the most important predecessors of the Provençal landscape tradition. The 1866 painting shows an alternative to the Barbizon tradition—luminous Provençal color combined with precise observation.