View of Rhenen

Provenance

“Collection of a Gentleman of Nottinghamshire;” (his sale, Christie, Manson & Woods, London, 1846).[1] probably acquired 1878 by H. Smith Wright, Nottingham. Thomas Wright [1773-1845], Upton Hall, between Southwell and Newark, Nottinghamshire. Dr. Abraham Bredius [1855-1946], Amsterdam. Sir George Donaldson [1845-1925], London; purchased 1906 by William A. Clark [1839-1925], New York;[2] bequest 1926 to the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art. [1] Information about the 1846 sale, which has not yet been positively identified, is given in Dana H. Carroll, _Catalogue of Objects of Fine Art and Other Properties at the Home of William Andrews Clark, 962 Fifth Avenue_, Part II, Unpublished manuscript, n.d. (1925): 219, no. 317; original manuscript in The Corcoran Archives, Special Collections Research Center, George Washington University Libraries, Washington, DC; copy in NGA curatorial files. [2] The fact that Clark purchased the painting in 1906 from Donaldson is given in the Carroll manuscript (see note 1). However, in a letter of 18 November 1906 to Corcoran director Frederick B. McGuire, Clark mentions that he has had a letter from the previous owner of the work, "Dr. Bredius" (The Corcoran Archives, Special Collections Research Center, George Washington University Libraries, Washington, DC: COR RG 2.0, Director's Records, transcription and summary in NGA curatorial files). This was Dr. Abraham Bredius, whose name is not mentioned in the Carroll manuscript. The exact nature and chronology of Clark's purchase has still to be determined.

View of Rhenen

Goyen, Jan van

1646

Accession Number

2014.136.33

Medium

oil on canvas

Dimensions

overall: 101.6 × 135.26 cm (40 × 53 1/4 in.) | framed: 127.64 × 161.93 × 5.72 cm (50 1/4 × 63 3/4 × 2 1/4 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Corcoran Collection (William A. Clark Collection)

Tags

Painting Baroque (1600–1750) Oil Painting Canvas Dutch

Background & Context

Background Story

View of Rhenen depicts the small town of Rhenen on the Rhine River, one of the many Dutch river towns that van Goyen painted repeatedly throughout his career. The composition follows van Goyen's standard formula: a low horizon, a wide sky, and a panoramic view of the town across the river. The 1646 date places this in van Goyen's most productive period, when he was producing tonal landscapes at a rate that suggests a working method based on rapid execution and standardized compositions rather than individual invention. The result is a painting that is simultaneously a topographic record and an atmospheric study.

Cultural Impact

Van Goyen's Views of Rhenen and other river towns were produced for a middle-class market that wanted recognizable views of Dutch cities and landscapes at affordable prices. His rapid working method—thin paint, limited palette, standardized composition—allowed him to produce large quantities of paintings that satisfied the market's demand for recognizable views while maintaining a level of artistic quality that distinguished his work from mere workshop production.

Why It Matters

View of Rhenen is van Goyen's working method on display: a recognizable Dutch river town rendered in the standardized composition and limited palette that allowed him to produce large quantities of paintings while maintaining atmospheric quality. The painting is both a topographic record and an atmospheric study—two functions that van Goyen could serve simultaneously.