Provenance
George Whitney, Philadelphia, by 1870; purchased 1885 by James F. Sutton on behalf of the (American Art Association, New York); purchased 1892 by W.S. Allen; (American Art Association, New York); gift 1900 to the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art.
Accession Number
2014.136.3
Medium
oil on paperboard
Dimensions
overall: 28.7 × 36.5 cm (11 5/16 × 14 3/8 in.) | framed: 57.6 × 65.1 × 10.2 cm (22 11/16 × 25 5/8 × 4 in.)
Classification
Painting
Credit Line
Corcoran Collection (Gift of the American Art Association)
Tags
Painting Impressionist & Modern (1851–1900) Oil Painting Board American
Background & Context
Background Story
Edward Lamson Henry (1841-1919) was an American painter known for the precisely observed, nostalgic genre scenes of early American life that make him one of the most important documentarians of American material culture. The Old Westover House from 1869 depicts an old house in the precisely observed, nostalgic manner that distinguishes Henry's best work from the more dramatic genre painting of his contemporaries. The 1869 date places this in Henry's early period, when he was developing the precisely observed, nostalgic approach to American material culture that would make him one of the most important documentarians of early American life.
Cultural Impact
The Old Westover House is important in the history of American genre painting because it demonstrates the precisely observed, nostalgic manner that Henry brought to American material culture. Henry's precisely observed genre scenes—documenting the houses, costumes, and objects of early American life with archaeological accuracy—represent one of the most important traditions in American painting for the documentation of material culture, and the 1869 painting shows this tradition in its earliest phase.
Why It Matters
The Old Westover House is Henry's precisely observed American genre: an old house rendered in the nostalgic, documentary manner of one of the most important documentarians of American material culture. The 1869 painting shows the precisely observed approach to American material culture that would make Henry one of the most important recorders of early American life.