Provenance
William Wilson Corcoran [1798-1888], Washington, by 1857;[1] gift 1869 to the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art.
[1] See Charles Lanman, _Catalogue of W. W. Corcoran's Private Gallery_ (Washington, 1857), no. 7.
Accession Number
2014.79.46
Medium
oil on canvas
Dimensions
overall: 71.4 × 103.2 cm (28 1/8 × 40 5/8 in.) | framed: 90.8 × 121.9 × 11.4 cm (35 3/4 × 48 × 4 1/2 in.)
Classification
Painting
Credit Line
Corcoran Collection (Gift of William Wilson Corcoran)
Tags
Painting Impressionist & Modern (1851–1900) Oil Painting Canvas American
Background & Context
Background Story
Seth Eastman (1808-1875) was an American painter and Army officer known for the precisely observed paintings of Native American life that make him one of the most important documentarians of Native American culture in the 19th century. Ball Playing among the Sioux Indians from 1851 depicts Sioux Indians playing ball in the precisely observed, documentary manner that distinguishes Eastman's best work from the more romantic paintings of Native American life by his contemporaries. The 1851 date places this in Eastman's most productive period, when he was producing the precisely observed paintings of Dakota (Sioux) life that are his most accomplished works, based on his years of firsthand observation as an Army officer stationed at Fort Snelling.
Cultural Impact
Ball Playing among the Sioux Indians is important in the history of American painting because it demonstrates the precisely observed, documentary manner that Eastman brought to Native American subjects as one of the most important documentarians of Native American culture in the 19th century. Eastman's precisely observed paintings—based on firsthand observation as an Army officer stationed among the Dakota—represent one of the most important visual records of Native American life in the 19th century, and the 1851 painting shows this documentary tradition at its most precise and honest.
Why It Matters
Ball Playing among the Sioux Indians is Eastman's precisely observed documentary: Sioux playing ball rendered in the honest, documentary manner of one of the most important visual recorders of Native American culture in the 19th century. The 1851 painting, based on firsthand observation as an Army officer at Fort Snelling, is one of the most honest visual records of Dakota life.