From "Le tir à l'arc"

From "Le tir à l'arc"

Braque, Georges

published 1960

Accession Number

1964.8.2881

Medium

color lithograph on japan nacre paper

Dimensions

N/A

Classification

Portfolio

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Rosenwald Collection

Background & Context

Background Story

This painting of a harbor at sunset is attributed to a Follower of Claude Lorrain (1600-1682), the French painter whose luminous, idealized harbor scenes and seaports make him one of the most influential landscape painters in the history of European art. The harbor at sunset subject is typical of Claude's seaport paintings, which depict idealized harbors with luminous sunset lighting. The late 17th century date places this in the period immediately after Claude's death, when his influence on European landscape painting was at its height, and the follower's version demonstrates how Claude's luminous harbor manner was continued by followers in the late 17th century.

Cultural Impact

Harbor at Sunset is important in the history of European landscape painting because it demonstrates how Claude Lorrain's luminous harbor manner was continued by followers in the late 17th century. Claude's seaport paintings—with their luminous sunset lighting and classically composed harbors—were enormously influential, and the late 17th century painting shows how this influence was continued by followers who helped maintain Claude's manner after his death.

Why It Matters

Harbor at Sunset by a Follower of Claude: an idealized harbor with luminous sunset lighting rendered in the manner of the most influential landscape painter in European art. The late 17th century painting shows how Claude's luminous seaport manner was continued by followers who maintained his influence after his death.