Connecticut Sea Captain

Provenance

Recorded as from Connecticut. (Sara H. Andrews, Ashaway, Rhode Island), by whom sold in 1955 to Edgar William and Bernice Chrysler Garbisch; gift to NGA, 1965.

Connecticut Sea Captain

Sheffield, Isaac

1833

Accession Number

1965.15.4

Medium

oil on wood

Dimensions

overall: 76.2 x 62.3 cm (30 x 24 1/2 in.) | framed: 94.6 x 77.4 x 7.3 cm (37 1/4 x 30 1/2 x 2 7/8 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Edgar William and Bernice Chrysler Garbisch

Tags

Painting Neoclassical & Romantic (1751–1850) Oil Painting American

Background & Context

Background Story

Isaac Sheffield (1805-1886) was an American folk portrait painter known for his portraits of Connecticut sea captains and maritime figures in the straightforward manner of American folk portraiture. Connecticut Sea Captain from 1833 depicts a sea captain in the direct, unidealized manner that distinguishes American folk portraiture from the more flattering academic tradition. The 1833 date places this in the period when American folk portraiture was producing some of its most characteristic work—plain-spoken portraits of maritime figures that record the appearance of the men who made their living on the sea.

Cultural Impact

Sheffield's Connecticut Sea Captain is important in the history of American folk art because it demonstrates the maritime subject that distinguishes Connecticut folk portraiture from the more general folk portraiture of other regions. The sea captain portrait records the appearance of a specific individual with the directness and lack of idealization that characterize American folk portraiture, creating a visual record of the maritime community that was central to Connecticut's economy.

Why It Matters

Connecticut Sea Captain is Sheffield's maritime folk portraiture at its most direct: a sea captain rendered with the plain-spoken manner and lack of idealization that distinguish American folk portraiture. The 1833 painting on wood records the appearance of the maritime community that was central to Connecticut's economy.