Country Tavern, Feasting

Provenance

William A. Clark [1839-1925]; bequest 1926 to the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art.

Country Tavern, Feasting

Isabey, Eugène

1875

Accession Number

2014.136.35

Medium

oil on canvas

Dimensions

overall: 74.93 × 107.32 cm (29 1/2 × 42 1/4 in.) | framed: 99.06 × 133.99 × 6.67 cm (39 × 52 3/4 × 2 5/8 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Corcoran Collection (William A. Clark Collection)

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting Canvas French

Background & Context

Background Story

Country Tavern, Feasting is Isabey's contribution to the tradition of Dutch and Flemish tavern scenes that had been a staple of genre painting since the 17th century. The interior of a rural tavern, with its drinkers, eaters, and general atmosphere of convivial excess, is rendered with the same dramatic lighting that distinguished Isabey's marine paintings, transposed from storm at sea to candlelit interior. The warm chiaroscuro of the tavern—bright around the candles and dark in the corners—is the domestic equivalent of the lightning-illuminated seascapes that made his reputation.

Cultural Impact

Isabey's country tavern scenes connect him to the tradition of Dutch and Flemish genre painting that had been a continuing influence on French art since the 17th century. His contribution to this tradition is the dramatic lighting that he learned from marine painting—the same technique that made his seascapes dramatic makes his tavern scenes atmospheric, transforming the humble country inn into a stage for human comedy.

Why It Matters

Country Tavern, Feasting is Isabey's marine painting technique applied to a country inn: the dramatic chiaroscuro that illuminated his storm at sea now illuminates a candlelit interior, transforming a genre scene into a theatrical event. The tavern is a stage, the drinkers are actors, and the light is the spotlight.