The Flag of Truce

Provenance

Possibly (artist's sale, Galerie Georges Petit, Paris, 6 May 1886, no. 212).[1] Pitet Ainé, Paris, as _Parlementaire_;[2] sold 5 August 1886 to (M. Knoedler and Co., New York); purchased 2 November 1886 by Thomas E. Waggaman [1839-1906], Washington;[3] (his sale, American Art Association, New York, 25 January 1905, no. 42, as _The Flag of Truce_); William A. Clark [1839-1925], New York;[4] bequest 1926 to the Corcoran Gallery of Art, Washington; acquired 2015 by the National Gallery of Art. [1] Three works titled _Parlementaire_ are listed in the artist's sale. The first, number 1, has similar dimensions to the painting now in the Philadelphia Museum of Art. Number 190, a watercolor with the dimensions 0m83 x 1m20, belongs to the Musée de l'Armée, Paris. The third, number 212 is a drawing without dimensions and is described as "Projet de composition pour le tableau: _le Parlementair_." [2] According to M. Knoedler and Co. Records, accession number 2012.M.54, Research Library, Getty Research Institute, Los Angeles: Painting Stockbook 4, 4369-8799, 1883 April-1899 April, page 57, stock number 5228. [3] See note 2 for the source of the date Knoedler sold the painting. [4] Charles L. Bernheimer, Paris, is identified as a possible previous owner in Dana H. Carroll, _Catalogue of Objects of Fine Art and Other Properties at the Home of William Andrews Clark, 962 Fifth Avenue_, Part I, Unpublished manuscript, n.d. (1925): 156, no. 126.

The Flag of Truce

Neuville, Alphonse de

1884

Accession Number

2015.19.40

Medium

gouache on canvas

Dimensions

overall: 65.41 × 91.12 cm (25 3/4 × 35 7/8 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Corcoran Collection (William A. Clark Collection)

Tags

Painting Impressionist & Modern (1851–1900) Gouache Canvas French

Background & Context

Background Story

Alphonse de Neuville's The Flag of Truce, painted in 1884, is a dramatic military scene by one of France's foremost painters of battle and military subjects during the Second Empire and early Third Republic. De Neuville (1835-1885) was renowned for his meticulous attention to military detail and his ability to convey the human experience of warfare with both accuracy and emotional impact. His major works depicted episodes from the Franco-Prussian War of 1870-71, the Crimean War, and other conflicts of the era. The Flag of Truce depicts the moment when combatants suspend hostilities under the protection of a white flag, a universally recognized symbol of parley under the laws of war. The subject allowed de Neuville to explore the psychological complexity of warfare: the tension between enemies, the vulnerability of those who carry the flag, and the fragile cessation of violence that a truce represents. Painted in 1884, just one year before de Neuville's death and in the aftermath of France's devastating defeat in the Franco-Prussian War, the painting resonates with the era's preoccupation with military honor, the conduct of war, and national trauma. De Neuville's collaboration with Edouard Detaille on large-scale panoramas of the Franco-Prussian War had made him a household name in France, and his smaller canvases like this one distilled the same narrative power into more intimate format. His work was praised for its authenticity, achieved through exhaustive research into uniforms, weapons, and battlefield topography, and for its unflinching yet sympathetic portrayal of soldiers on both sides of conflict.

Cultural Impact

De Neuville's military paintings played a significant role in shaping French national memory of 19th-century conflicts, particularly the Franco-Prussian War. His works were widely reproduced and helped define how the French public understood the experience of modern warfare.

Why It Matters

This painting captures a profound moment in the experience of war, the suspension of violence under a flag of truce, and exemplifies de Neuville's contribution to military art that balanced dramatic narrative with authentic human experience.