After the Storm

Provenance

Robert Napier [1791-1876], Glasgow, by 1865;[1] (his sale, Shandon Collection, Christie, Manson & Woods, London, 13 April 1877, no. 469); J. M. Anderson.[2] (sale, Christie, Manson & Woods, London, 15 June 1901, no. 42); Wallis.[3] (V. G. Fischer Fine Art Co., Washington);[4] purchased by May 15, 1905 by William A. Clark [1839-1925], New York;[5] bequest April 1926 to the Corcoran Gallery of Art, Washington, as _Marine_; acquired 2016 by the National Gallery of Art. [1] The painting is no. 413 in the _Catalogue of the Works of Art Forming the Collection of Robert Napier, of West Shandon, Dumbartonshire_, London, 1865, compiled by J. C. Robinson. [2] According to M.S. Robinson, _Van de Velde: A Catalogue of the Paintings of the Elder and the Younger Willem van de Velde_, 2 vols., London, 1990: 2:842-843, repro. [3] See Algernon Graves, _Art Sales from Early in the Eighteenth Century to Early in the Twentieth Century_, 3 vols., London, 1921: 3:278. [4] According to Dana H. Carroll, _Catalogue of Objects of Fine Art and Other Properties at the Home of William Andrews Clark, 962 Fifth Avenue_, part 1, unpublished manuscript, no. 135. The work is no. 495 in C. Hofstede de Groot, _A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century_, 8 vols., London, 1923: 7: 126. It is mistakenly identified as having been acquired by Clark from Gottfried von Preyer of Vienna. See Robinson 1990 for more information. [5] Althought records from the Corcoran indicate that Clark purchased the work in 1906, a 1905 review of his collection on loan to the Corcoran Gallery refers to "a marine by Van de Velde." (James Henry Moser, “American Collections: The W. A. Clark Collection at the Corcoran Art Gallery," _The Collector and Art Critic_Vol. 3, No. 7 (May 15, 1905):104.

After the Storm

Velde, Willem van de, the Younger

c. 1700

Accession Number

2016.22.7

Medium

oil on canvas

Dimensions

overall: 25.8 × 43.4 cm (10 3/16 × 17 1/16 in.) | framed: 44.45 × 62.23 × 5.72 cm (17 1/2 × 24 1/2 × 2 1/4 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Corcoran Collection (William A. Clark Collection)

Tags

Painting Baroque (1600–1750) Oil Painting Canvas Dutch

Background & Context

Background Story

After the Storm from c. 1700 depicts the aftermath of a storm at sea in the precisely observed, atmospheric manner of the van de Velde studio. Willem van de Velde the Younger (1633-1707) and his studio produced precisely observed marine paintings that are among the most accomplished in the history of marine painting. The c. 1700 date places this in the period when the van de Velde studio was producing precisely observed marine paintings at the English court, and the after the storm subject shows the studio's talent for depicting the atmospheric effects of the sea.

Cultural Impact

After the Storm is important in the history of marine painting because it demonstrates the precisely observed, atmospheric manner of the van de Velde studio at the English court. The van de Velde studio's precisely observed marine paintings—combining the precise observation of ships with the atmospheric effect of the sea and sky—represent one of the most accomplished traditions in marine painting, and the c. 1700 painting shows this tradition at its most atmospheric.

Why It Matters

After the Storm is the van de Velde studio's atmospheric marine painting: the aftermath of a storm at sea rendered in the precisely observed manner of the most accomplished marine painting studio in history. The c. 1700 painting shows the studio's talent for depicting atmospheric effects at sea.