Race Horse and Trainer

Provenance

(M. Knoedler & Co., London), 1929. Ailsa Mellon Bruce [1901-1969], New York; bequest 1970 to NGA.

Race Horse and Trainer

Anonymous Artist

c. 1820/1825

Accession Number

1970.17.125

Medium

oil on canvas

Dimensions

overall: 33.3 x 43.5 cm (13 1/8 x 17 1/8 in.) | framed: 44.1 x 54.3 x 6.6 cm (17 3/8 x 21 3/8 x 2 5/8 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Ailsa Mellon Bruce Collection

Tags

Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas

Background & Context

Background Story

Race Horse and Trainer from c. 1820-25 is attributed to the style of Benjamin Marshall (1768-1835), a British sporting painter known for his portraits of racehorses and hunting scenes. The 'style of' attribution indicates that the painting was produced by an unknown painter working in Marshall's manner, and the c. 1820-25 date places this in the period when Marshall's manner of sporting painting was the dominant style for British horse portraiture. The subject of a racehorse with its trainer was one of the most popular in British sporting painting, and the painting follows the conventions of the genre—the horse shown in profile with the trainer beside it.

Cultural Impact

Race Horse and Trainer is important in the history of British sporting painting because it demonstrates the popularity of Marshall's manner of horse portraiture in the 1820s. The 'style of' attribution shows that Marshall's manner was widely imitated by lesser painters who served the market for sporting subjects that was one of the largest segments of the British art market in the early 19th century.

Why It Matters

Race Horse and Trainer is Marshall's sporting manner widely imitated: a racehorse with its trainer in the horse portrait conventions that Marshall established and that lesser painters imitated to serve the large British market for sporting subjects. The c. 1820-25 painting demonstrates the commercial popularity of Marshall's manner in the early 19th century.