Provenance
The artist; (Goupil & cie, Paris, 14 March, 1874, no. 8816).[1] Serge von Derwies [1863-1943], Nice, by 1904;[2] (his sale: Galerie Georges Petit, Paris, 15 November 1906, no. 5 as _L'attente_). (Perhaps Georges Petit, Paris, acquired at the above sale). (Sale Sotheby’s, Parke, Bernet, New York, 16 January 1975, no. 176). (Sale, Sotheby’s, Parke, Bernet, New York, 4 May 1979, no. 249); The Forbes Magazine collection, New York; (their sale, Sotheby’s, New York, 13 October 1993, no. 22); ptrivate collection, Europe; Eric Weider, Westlake, TX; gift 2024 to NGA.
[1] Provenance courtesy of the Jules Breton online catalogue raisonné project.
[2] The painting was reproduced in _Galerie Serge von Derwies_ (Saint Petersburg, 1904), no. 20, as "L'Attente". For information on the Von Derwies collection, begun by Serge’s father Paul von Derwies [1826-1881], see Dominique Laredo, “De Nice à Saint-Pétersbourg: la Galerie Serge Von Derwies : le Catalogue inédit de la collection Von Derwies (1904),” _Revue Russe_ 37, 2011: 143-157. (DOI: https://doi.org/10.3406/russe.2011.2473).
Accession Number
2024.146.1
Medium
oil on canvas
Dimensions
overall: 163.8 × 252.7 cm (64 1/2 × 99 1/2 in.) | approx. framed: 190.5 × 281.94 cm (75 × 111 in.)
Classification
Painting
Credit Line
Gift of Eric, Nicole, Elijah, Elodie and Luke Weider
Tags
Painting Impressionist & Modern (1851–1900) Oil Painting Canvas French
Background & Context
Background Story
Jules Breton (1827-1906) was a French painter known for the poetic, beautifully observed scenes of rural peasant life that make him one of the most popular painters of the 19th-century French rural tradition. The Cliff (La Falaise) from 1874 depicts a coastal cliff in the poetic, beautifully observed manner that distinguishes Breton's best work from the more naturalistic painting of his Realist contemporaries. The 1874 date places this in Breton's most productive period, when he was producing the poetic, beautifully observed scenes of rural life that are his most accomplished works, and the coastal cliff subject shows his ability to combine poetic landscape with the precision of observation.
Cultural Impact
The Cliff (La Falaise) is important in the history of French rural painting because it demonstrates the poetic, beautifully observed manner that Breton brought to landscape as one of the most popular painters of the 19th-century French rural tradition. Breton's poetic landscapes—combining beautiful observation with poetic feeling—represent one of the most popular traditions in 19th-century French painting, and the 1874 painting shows this tradition at its most poetic and beautifully observed.
Why It Matters
The Cliff (La Falaise) is Breton's poetic French landscape: a coastal cliff rendered in the beautifully observed manner of one of the most popular painters of the 19th-century French rural tradition. The 1874 painting shows the combination of poetic feeling with precise observation that made Breton one of the most beloved painters of rural France.