Possibly (sale, The Hague, 24 April 1737, no. 7). probably Graf van Hogendorp; probably (his sale, The Hague, 27 July 1751, no. 6).[1] Pieter Bisschop [c. 1690-1758] and Jan Bisschop [1680-1771], Rotterdam, by 1752; purchased 1771 with the Bisschop collection by Adrian Hope [1709-1781] and his nephew, John Hope [1737-1784], Amsterdam; by inheritance after Adrian's death to John, Amsterdam and The Hague; by inheritance to his sons, Thomas Hope [1769-1831], Adrian Elias Hope [1772-1834], and Henry Philip Hope [1774-1839], Bosbeek House, near Heemstede, and, as of 1794, London, where the collection was in possession of John's cousin, Henry Hope [c. 1739-1811], London; by inheritance 1811 solely to Henry Philip, Amsterdam and London, but in possession of his brother, Thomas, London; by inheritance 1839 to Thomas' son, Henry Thomas Hope [1808-1862], London, and Deepdene, near Dorking, Surrey; by inheritance to his wife, Adèle Bichat Hope [d. 1884], London and Deepdene; by inheritance to her grandson, Henry Francis Hope Pelham-Clinton-Hope, 8th duke of Newcastle-under-Lyme [1866-1941], London; (P. & D. Colnaghi & Co. and Charles J. Wertheimer, London), 1898-1901; (Thos. Agnew & Sons, Ltd., London); sold 1901 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park; gift 1942 to NGA. [1] Mariët Westermann kindly brought the 1751 sale to the attention of Arthur K. Wheelock, Jr. For a discussion of the provenance of this painting, including the 1737 sale, see Ben Broos, _Great Dutch Paintings from America_, exh. cat., Mauritshuis, The Hague; Fine Arts Museums of San Francisco, Zwolle and The Hague, 1990: 419-423.