Breezing Up (A Fair Wind)

Provenance

Purchased from the artist by Charles Stewart Smith [1832-1909], New York, by 1878;[1] by inheritance to his son, Howard Caswell Smith, Oyster Bay, New York; sold 1943 to (Wildenstein & Co., New York); purchased 31 December 1943 by NGA. [1] Smith's son believed that his father purchased the painting directly from the artist, per his letter of 31 October 1947, in NGA curatorial files. However, Charles Smith may instead have purchased the painting at auction in early 1877. Gerdts (in Lloyd Goodrich, edited and expanded by Abigail Booth Gerdts, _Record of Works by Winslow Homer_, New York, 2005: 2:no. 596) writes that according to the _New York Commercial Advertiser_ (27 February 1877), the artist sent the painting to be included in an exhibition at Kurtz Gallery, New York, that was to be followed by the works being auctioned under the direction of Daniel A. Mathews on 1 and 2 March 1877. The _New York Herald_ announced (3 March 1877) that the painting sold for one of the highest prices realized at the auction.

Breezing Up (A Fair Wind)

Homer, Winslow

1873-1876

Accession Number

1943.13.1

Medium

oil on canvas

Dimensions

overall: 61.5 x 97 cm (24 3/16 x 38 3/16 in.) | framed: 90.5 x 126.4 cm (35 5/8 x 49 3/4 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of the W. L. and May T. Mellon Foundation

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting Canvas American

Background & Context

Background Story

Breezing Up (A Fair Wind), painted between 1873 and 1876, depicts three boys and a man in a small sailboat, tilted by the wind as they glide across a sunlit sea. The helmsman, an older fisherman, holds the tiller while the boys relax into the motion of the boat, one leaning back with his arms spread wide in a gesture of pure exhilaration. Homer began the painting in 1873, the same year he abandoned his career as a magazine illustrator to become a full-time painter. The work underwent multiple revisions over three years, becoming larger and more ambitious with each version. The final painting, exhibited at the National Academy of Design in 1876, established Homer as the foremost marine painter in America. The painting's optimism - its celebration of skill, cooperation, and the simple pleasure of a fair wind - represents a side of Homer that would later give way to the darker vision of his Maine seascapes. Yet even here, the tilting boat and the vast expanse of sea hint at the vulnerability that underlies all human encounters with nature. The wind that propels the boat could, in another moment, become the storm that swamps it.

Cultural Impact

Breezing Up became one of the most beloved American paintings of the 19th century - an image of youthful freedom and maritime competence that resonated with a young nation defining its identity. Its combination of technical precision and emotional directness established a template for American marine painting that persisted into the 20th century.

Why It Matters

This painting captures the sunny, confident Homer before the darker vision of his later years. It is a document of American optimism in the post-Civil War period - a celebration of the simple pleasures that seemed, briefly, to be within reach of every citizen of the Republic.