Regatta at Argenteuil

Provenance

Collection Monet; Mme Jean Monet, née Blanche Hoschede. [1] Possibly (Galerie Charpentier, Paris) in 1945.[2] Capt. Edward H. Molyneux [1891-1974], Paris, by 1952;[3] sold 15 August 1955 to Ailsa Mellon Bruce [1901-1969]; bequest 1970 to NGA. [1] According to Guy-Patrice and Michel Dauberville, _Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles_, 5 vols., Paris, 2007, vol I, no. 128. [2] Exhibited at Charpentier in 1945, by which time it may already have been owned by Molyneux, who is listed as a lender without specifying individual objects. [3] Included in 1952 exhibition of Molyneux collection held at the National Gallery of Art.

Regatta at Argenteuil

Renoir, Auguste

1874

Accession Number

1970.17.59

Medium

oil on canvas

Dimensions

overall: 32.4 x 45.7 cm (12 3/4 x 18 in.) | framed: 55.6 x 71.4 x 6.7 cm (21 7/8 x 28 1/8 x 2 5/8 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Ailsa Mellon Bruce Collection

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting Canvas French

Background & Context

Background Story

Regatta at Argenteuil, painted in 1874, depicts a sailing race on the Seine at Argenteuil, where Renoir spent the summer painting alongside Monet. The painting captures the brilliant light and sparkling water of a summer day on the river, with white sails and colorful flags reflecting in the rippled surface. The Argenteuil summer of 1874 was one of the most productive periods in the history of Impressionism. Renoir and Monet, working side by side, painted the same subjects - the river, the regattas, the bridges - in a friendly competition that pushed both artists toward their most radical achievements. Renoir Regatta, painted from essentially the same viewpoint as Monet views, demonstrates the difference between the two painters: where Monet is most interested in the water and its reflections, Renoir is most interested in the figures and their social interactions. The painting most Renoir-like feature is its treatment of the spectators, who line the riverbank and lean from windows to watch the race. These figures, rendered in Renoir warm, sensuous brushwork, are both observers and participants in the scene of leisure that the regatta provides. Their animated postures and their bright costumes create a visual rhythm that is as important to the composition as the river and the sails. The painting belongs to the period when Renoir was most closely aligned with the Impressionist project, before his later turn toward more classical figure painting. His Regatta at Argenteuil is both an Impressionist landscape and a Renoir figure composition - and its combination of the two creates a work of extraordinary charm and historical significance.

Cultural Impact

Renoir Argenteuil paintings documented the most important collaborative period in the history of Impressionism and demonstrated his ability to combine landscape and figure painting in a single Impressionist composition. His regatta views, with their combination of natural beauty and social animation, influenced the tradition of leisure painting in French art.

Why It Matters

Regatta at Argenteuil captures Renoir at his most Impressionist: a painter of people who has learned from Monet to see the world as light and color. The sailing race, watched by a crowd of animated spectators, is both a landscape and a social event - and Renoir ability to paint both simultaneously is his most distinctive contribution to Impressionism.