Provenance
The family of the artist, who died in 1894 without children; sold 1966 to (Wildenstein & Co., New York);[1] sold that same year to Mr. and Mrs. Paul Mellon; gift 1985 to the NGA.
[1] Acquisition date and source according to a letter from Wildenstein's dated 14 December 1998, in NGA curatorial records.
Accession Number
1985.64.6
Medium
oil on canvas
Dimensions
overall: 88.9 x 116.2 cm (35 x 45 3/4 in.) | framed: 118.7 x 146 x 11.4 cm (46 3/4 x 57 1/2 x 4 1/2 in.)
Classification
Painting
Credit Line
Collection of Mr. and Mrs. Paul Mellon
Tags
Painting Impressionist & Modern (1851–1900) Oil Painting Canvas French
Background & Context
Background Story
Gustave Caillebotte (1848-1894) was an Impressionist painter whose most distinctive works combine the formal composition of academic painting with the subject matter and color of Impressionism. Skiffs from 1877 depicts rowing boats on the Seine—a subject that was both a personal passion (Caillebotte was an avid oarsman) and an emblem of modern leisure. The painting's composition, with the skiffs arranged in a diagonal pattern across the canvas, demonstrates Caillebotte's ability to combine the informal subject matter of Impressionism with the rigorous compositional structure that he brought to every painting.
Cultural Impact
Caillebotte's rowing paintings are among the most distinctive works of the Impressionist movement because they combine a subject that no other Impressionist painted (competitive rowing) with a compositional rigor that no other Impressionist applied to informal subjects. The skiffs on the Seine are simultaneously a document of modern leisure and a composition of extraordinary formal sophistication.
Why It Matters
Skiffs is Caillebotte's Impressionism with academic structure: rowing boats on the Seine arranged in a diagonal composition that no other Impressionist would have imposed on such an informal subject. The painting combines modern leisure with formal rigor—the oarsman's passion and the architect's eye working together.