High Bridge at Night, New York City

Provenance

Alice L. and Richard Schoen, Falls Church, Virginia; gift 2016 to NGA.

High Bridge at Night, New York City

Lawson, Ernest

c. 1910/1920

Accession Number

2016.129.1

Medium

oil on canvas

Dimensions

overall: 63.5 × 76.2 cm (25 × 30 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Alice and Richard Schoen

Tags

Painting Early Modern (1901–1950) Oil Painting Canvas American Color: Green

Background & Context

Background Story

High Bridge at Night from c. 1910-20 depicts New York's High Bridge—the oldest bridge in the city—illuminated against the night sky with the rich surface and atmospheric color that distinguish Lawson's nocturnal scenes. The High Bridge, which connects Manhattan and the Bronx across the Harlem River, was one of Lawson's most frequent subjects, and the nocturnal setting allows him to exercise his talent for atmospheric color in a way that the daytime views do not. The c. 1910-20 date places this in Lawson's most productive period, when he was painting the Harlem River landscape that was his signature subject.

Cultural Impact

Lawson's nocturnal views of the High Bridge are among his most important contributions to American painting because they demonstrate his ability to find atmospheric beauty in the urban landscape that other Ashcan painters treated with gritty realism. High Bridge at Night shows Lawson painting the urban landscape as a subject for atmospheric color rather than social commentary, distinguishing his approach from the more politically engaged urban realism of his Ashcan colleagues.

Why It Matters

High Bridge at Night is Lawson's urban landscape as atmospheric beauty: New York's oldest bridge illuminated against the night sky with the rich surface and atmospheric color that distinguish his nocturnal scenes. The c. 1910-20 painting demonstrates that the Ashcan School's urban subject could be treated with Impressionist atmospheric beauty rather than gritty realism.