Sawmill, Outskirts of Paris

Provenance

Paul Guillaume (1891–1934), Paris, by 1927 [Zervos 1927]. Valentine Dudensing, New York, 1929 [Chicago 1933]. Walter S. Brewster (1872–1954) and Kate Brewster (née Lancaster; c. 1879–1947), by 1933 [Chicago 1933]; bequeathed by Kate Brewster to the Art Institute, 1950.

Sawmill, Outskirts of Paris

Henri Rousseau

c. 1893/95

Accession Number

68433

Medium

Oil on canvas

Dimensions

25.5 × 45.5 cm (10 × 17 7/8 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Bequest of Kate L. Brewster

Background & Context

Background Story

Henri Rousseau's Sawmill, Outskirts of Paris (c. 1893/95) is an oil on canvas showing a more naturalistic side of the artist. This painting depicts a sawmill on the outskirts of Paris, a scene from the industrial suburbs. Rousseau's treatment is precise and detailed, the palette more subdued than his exotic works. This painting belongs to the period when Rousseau was developing his style, still working within a relatively naturalistic mode.

Cultural Impact

Rousseau's suburban scenes provide valuable context for understanding his art, showing the everyday reality he transformed into dreamlike visions.

Why It Matters

This painting of a sawmill shows Rousseau working in a more naturalistic mode, the precise detail revealing the foundation of his imaginary jungles.