Provenance
The artist; partially sold through Gagosian Gallery, Beverly Hills, CA, and partially promised as a gift to the Art Institute of Chicago, Sept. 13, 2022.
Accession Number
265480
Medium
Shellac on satin
Dimensions
91.4 × 101.6 cm (36 × 40 in.)
Classification
Painting
Credit Line
Partial purchase with funds provided by Brad Keywell; partial and promised gift of Edward and Danna Ruscha
Background & Context
Background Story
"It's Only Vanishing Cream" is a 1973 shellac on satin painting by Ed Ruscha that captures the American Conceptual artist in his most wryly humorous and materially experimental mode, the image showing a phrase rendered with the same deadpan delivery and ironic understatement that made Ruscha's word paintings among the most influential works of 1970s American art. The composition is a large canvas—91.4 × 101.6 centimeters—showing the phrase "It's Only Vanishing Cream" rendered in the liquid, flowing medium of shellac on the slippery surface of satin, the technique creating a surface of extraordinary fluidity and optical depth. The shellac on satin creates a surface that suggests both the cosmetic advertisement and the abstract painting, the phrase suggesting both the mundane reality of consumer culture and the ephemeral nature of artistic illusion. The 1973 date places this work in the period of Ruscha's most intensive production of word paintings and his exploration of unconventional media, when he was producing the works that established his reputation as the leading Conceptual painter in America. Art historians have connected this painting to the broader tradition of the text in modern art, from the concrete poetry of the avant-garde to the language paintings of the contemporary period, noting that Ruscha's treatment is more focused on the deadpan delivery and the material experiment, the transformation of linguistic meaning into optical sensation, than the semantic complexity or the literary reference of these other traditions.
Cultural Impact
This 1973 shellac-satin painting made consumer phrase wryly fluid through large 91cm liquid flowing optical depth and slippery surface material experiment, using 1970s word-painting intensive period to transform linguistic meaning into optical sensation beyond concrete-poetry semantic complexity.
Why It Matters
It matters because Ruscha painted a sentence about vanishing cream and made the satin feel like it was already disappearing—proving that even a joke could be art if the shellac was slippery enough.