The Fountain, Villa Torlonia, Frascati, Italy

Description

The year 1907 was a turning point for John Singer Sargent, as he daringly stepped away from his successful career as a portraitist in favor of plein air (outdoor) painting. This lively work aptly captures that moment of transition, combining landscape and portraiture in a composition that speaks to friendship and painterly pursuits while also celebrating color, surface, and fleeting effects of light and movement. The couple is Wilfrid and Jane Emmet de Glehn, professional artists and Sargent’s frequent traveling companions. Although The Fountain has the appearance of spontaneity, Sargent was frequently interrupted by rain as he worked. He thus completed it over several days, requiring his friends to pose at length.

Provenance

John Singer Sargent, London, England, 1907; sold to the Art Institute of Chicago, 1914.

The Fountain, Villa Torlonia, Frascati, Italy

John Singer Sargent

1907

Accession Number

69780

Medium

Oil on canvas

Dimensions

71.4 × 56.5 cm (28 1/8 × 22 1/4 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Friends of American Art Collection

Background & Context

Background Story

John Singer Sargent's The Fountain, Villa Torlonia, Frascati, Italy (1907) is an oil on canvas that shows Sargent's mastery of the plein-air landscape. Villa Torlonia, located in the hills outside Rome, was a magnificent Renaissance villa with extensive gardens and fountains. Sargent painted this view of the villa's fountain during a summer visit to Italy. The painting captures the play of light on water and the lush vegetation of the Italian garden with the freshness and spontaneity of a sketch. Sargent's brushwork is loose and fluid, the forms suggested with broad strokes that capture the essential character of the scene without excessive detail. The palette is warm and luminous, dominated by the greens of the vegetation, the blues of the sky, and the whites of the fountain. This painting demonstrates that Sargent's gifts extended far beyond the portrait studio into the realm of landscape and plein-air painting.

Cultural Impact

Sargent's Italian landscapes are among the most beautiful works of his career, demonstrating his mastery of light, atmosphere, and the plein-air tradition.

Why It Matters

This view of the fountain at Villa Torlonia captures the beauty of the Italian garden with the freshness and spontaneity of a sketch, Sargent's fluid brushwork and luminous palette creating a vision of Mediterranean splendor.