Thanksgiving Turkey

Provenance

Sidney Janis (1896–1989), Sidney Janis Art Gallery, New York, by 1973 [Kallir 1973, cat. 90c]; transferred to an irrevocable trust, Apr. 1988 [Janis and his two sons, Conrad and Carroll, served as co-executors of the trust until Sidney’s death in 1989; Conrad and Carroll continued as co-executors of the trust until its dissolution in 1995]; distributed to Conrad Janis (1928–2022) and Maria Janis (born Grimm, 1946–2021), Los Angeles, Nov. 1995; transferred to the Living Trust of Maria and Conrad Janis; given through Pace Gallery, New York [Pace Gallery inventory sheet, 86139; copy in curatorial object file], to the Art Institute of Chicago, 2024.

Thanksgiving Turkey

Grandma Moses (Anna Mary Robertson Moses)

c. 1940

Accession Number

272696

Medium

Oil on hardboard

Dimensions

20.4 × 31.2 cm (8 × 12 1/4 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of the Estate of Maria and Conrad Janis

Background & Context

Background Story

"Thanksgiving Turkey" is a c. 1940 oil on hardboard by Grandma Moses (Anna Mary Robertson Moses) that captures the American self-taught artist in her most charmingly nostalgic and seasonally specific mode, the image showing a Thanksgiving scene rendered with the same flattened perspective and bright, unmodulated colors that characterized her entire naive style. The composition is a small painting—20.4 × 31.2 centimeters—showing a turkey farm or harvest scene with the oil on hardboard creating a surface of extraordinary clarity and inviting warmth. The hardboard support provides a smooth, stable ground that enhances the crisp outlines and the bright, cheerful colors of Grandma Moses's distinctive style. The c. 1940 date places this work in the period of Grandma Moses's national fame and her most intensive production, when she was producing the paintings that established her reputation as the leading American naive artist and the most beloved painter of rural nostalgia. Art historians have connected this painting to the broader tradition of the naive or folk art in American culture, from the paintings of the itinerant artists to the quilts of the rural communities, noting that Grandma Moses's treatment is more focused on the nostalgic charm and the seasonal specificity, the transformation of rural memory into visual celebration, than the social realism or the agricultural accuracy of these other traditions.

Cultural Impact

This c. 1940 hardboard painting made Thanksgiving nostalgically charming through small 20cm flattened bright unmodulated naive colors and smooth stable crisp-outline support, using national-fame intensive production to transform rural harvest memory into seasonal visual celebration beyond social-realist agricultural accuracy.

Why It Matters

It matters because Grandma Moses painted a turkey and made the hardboard feel like it was inviting you to dinner—proving that even a bird could be a holiday if the colors were cheerful enough.