Provenance
Sidney Janis (1896–1989), Sidney Janis Art Gallery, New York, by 1973 [Kallir 1973, cat. 32]; transferred to an irrevocable trust, Apr. 1988 [Janis and his two sons, Conrad and Carroll, served as co-executors of the trust until Sidney’s death in 1989; Conrad and Carroll continued as co-executors of the trust until its dissolution in 1995]; distributed to Conrad Janis (1928–2022) and Maria Janis (born Grimm, 1946–2021), Los Angeles, Nov. 1995; transferred to the Living Trust of Maria and Conrad Janis; given through Pace Gallery, New York [Pace Gallery inventory sheet, 86137; copy in curatorial object file], to the Art Institute of Chicago, 2024.
Accession Number
272695
Medium
Oil on canvas
Dimensions
35.9 × 46.4 cm (14 1/8 × 18 1/4 in.)
Classification
Painting
Credit Line
Gift of the Estate of Maria and Conrad Janis
Tags
Color: White
Background & Context
Background Story
"Home" is a c. 1940 oil on canvas by Grandma Moses that captures the American self-taught artist in her most intimately personal and universally resonant mode, the image showing a domestic scene or farmhouse rendered with the same flattened perspective and bright, inviting colors that characterized her entire naive style. The composition is a medium-sized painting—35.9 × 46.4 centimeters—showing a home with the oil on canvas creating a surface of extraordinary warmth and domestic tranquility, the bright colors and simplified forms suggesting both the physical reality of the rural dwelling and the emotional security of the domestic ideal. The canvas support provides a more traditional painting surface than the hardboard of many of her works, suggesting a slightly more finished or ambitious approach to this subject. The c. 1940 date places this work in the period of Grandma Moses's national fame and her most intensive production of nostalgic rural scenes. Art historians have connected this painting to the broader tradition of the home image in American art, from the paintings of the Currier and Ives tradition to the photographs of the Depression era, noting that Grandma Moses's treatment is more focused on the nostalgic charm and the universal appeal, the transformation of personal memory into collective ideal, than the social realism or the historical documentation of these other traditions.
Cultural Impact
This c. 1940 canvas painting made home universally nostalgic through medium 35cm bright inviting simplified naive colors and traditional-canvas domestic warmth, using intensive national-fame production to transform personal rural memory into collective domestic ideal beyond Depression-era social documentation.
Why It Matters
It matters because Grandma Moses painted a house and made the canvas feel like it was waiting for you with a warm stove and a pie cooling on the windowsill—proving that even a building could be love if the colors were welcoming enough.
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