Ecce Agnus Dei

Description

This series of panels illustrates scenes from the life of Saint John the Baptist, a prophet who foretold Jesus’s arrival as the Christian savior. The Art Institute’s collection includes six panels that were originally part of a group of 12 that possibly formed the doors of a reliquary shrine to the saint.

The narrative begins as John leaves civilization, entering the wilderness to become a hermit. In a following scene, John wears a hair shirt, a coarse undergarment symbolizing his ascetic life, as he announces that Jesus is the savior prophesied as the Agnus Dei, the Lamb of God. Subsequent panels show John’s imprisonment and violent execution at the hands of Herod, ruler of Galilee. Giovanni di Paolo related the Baptist’s complex biography with expressive figures represented multiple times to indicate their movement through highly imaginative and stylized settings.

Provenance

Edourd Aynard, Lyons, by 1907 [see Perkins 1907]; sold Galerie Georges Petit, Paris, December 1–4, 1913 no. 51, to Kleinberger, Paris, as agent for Martin A. Ryerson (died 1932), Chicago, 1914 [an entry for June 18, 1914, in Ryerson’s notebook reads: “Bot [sic] of Kleinberter, Paris, 6 panels by Giovanni di Paolo (purchased by him at Aynard sale for 160 000 fr + 10%);” Art Institute Archives]; on loan to the Art Institute from 1914; bequeathed to the Art Institute, 1933.

Ecce Agnus Dei

Giovanni di Paolo

1455–60

Accession Number

16159

Medium

Tempera on panel

Dimensions

68.5 × 39.5 cm (27 × 15 1/2 in.); Framed: 80.1 × 53.4 × 8.9 cm (31 1/2 × 21 × 3 1/2 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Mr. and Mrs. Martin A. Ryerson Collection

Background & Context

Background Story

Giovanni di Paolo's "Ecce Agnus Dei" (Behold the Lamb of God) (1455–60) is a tempera on panel from the early Italian Renaissance. Giovanni di Paolo (c. 1398–1482) was a leading painter of the Sienese school, known for his intensely spiritual, otherworldly style that combined the decorative elegance of Gothic art with the new naturalism of the Renaissance. This panel shows Christ as the Lamb of God, standing on an altar or pedestal, perhaps with a cross or with the wounds of the Passion visible. The painting is executed in tempera, the medium of early Renaissance Italian painting, which creates a luminous, jewel-like surface. The gold background, characteristic of Sienese painting, places the scene in a timeless, sacred space. Giovanni di Paolo's style is distinctive for its elongated figures, its intense colors, and its combination of naturalistic detail with a visionary, almost surreal quality. This panel was likely part of a larger altarpiece, designed to focus the viewer's devotion on Christ's sacrifice as the Lamb who takes away the sins of the world.

Cultural Impact

Giovanni di Paolo was one of the most distinctive painters of the Sienese Renaissance, his intensely spiritual style creating a bridge between the medieval and Renaissance worlds.

Why It Matters

This tempera panel of the Lamb of God captures the spiritual intensity of Giovanni di Paolo's art, the luminous colors and otherworldly atmosphere creating an image of profound religious devotion.