Joseph Gerrish

Provenance

John Singleton Copley, Boston, 1770 to 1774. Samuel Eddy Barrett, Chicago, by 1912; by descent to Mrs. Samuel Eddy Barrett, Chicago, from 1912 to 1924; by descent to Miss Adela Barrett, Brookline, MA, from 1924 to 1956; bequeathed to the Art Institute of Chicago, 1957.

Joseph Gerrish

John Singleton Copley

1770

Accession Number

6835

Medium

Oil on canvas

Dimensions

82.6 × 63.5 cm (32 1/2 × 25 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of the Estate of Adela Barrett

Background & Context

Background Story

John Singleton Copley's Joseph Gerrish (1770) is an oil on canvas portrait of a prominent American merchant and public official. Copley (1738-1815) was the greatest American painter of the colonial period, known for his sharp, detailed portraits of Boston merchants, politicians, and their families. This portrait shows Gerrish, a merchant who served as a colonel in the militia and as a representative to the General Court of Massachusetts. Copley's treatment is characteristically precise: the features are rendered with remarkable clarity, the textures of skin, hair, and fabric are captured with extraordinary skill. The sitter's expression is direct and engaging, conveying both his social position and his individual character. The palette is restrained but rich, with the dark tones of the costume set against a more neutral background. This portrait, painted in the decade before the American Revolution, captures the confidence and prosperity of the colonial merchant class that would soon lead the fight for independence.

Cultural Impact

Copley was the first great American painter, and his portraits of colonial Bostonians are among the most important visual documents of pre-Revolutionary America.

Why It Matters

This portrait of Joseph Gerrish captures the confidence and prosperity of the colonial merchant class with Copley's characteristic precision and psychological insight.