Painted sometime after Rembrandt Peale’s 1803 return from London and before his 1808 trip to Paris, this sensitively rendered portrait marks a concerted effort by Peale to expand his repertory to include female subjects. Abigail Inskeep Bradford belonged to a prestigious Philadelphia family; her father served as the city’s mayor (1800–01 and 1805–06) and her brother, John Inskeep, presided over a successful publishing business. Unlike Peale’s portrait of her husband, Samuel Fisher Bradford (1986.21), in this work Abigail looks away from the viewer, avoiding a direct gaze. This subtle positioning followed social convention of the time, which demanded women be discreet in public and maintain distance from mundane worldly concerns.