At the River's Bend (On the River II)

Description

Lilla Cabot Perry anchored this sensitive figure study, modeled by her daughter Edith, in a sun-dappled view of the Epte River in France. Staccato brushstrokes of bright pigments capture the scintillating effects of the surrounding landscape. Perry was one of the first American artists to embrace Impressionism. She studied in Boston and then Paris, where in 1889 she encountered the work of Claude Monet, leading to a friendship with him and numerous summer stays near his home in Giverny. She painted this canvas there in 1895, showcasing her experimentation with form, technique, and color. Garnering an international reputation as an artist, Perry was also an early advocate of modern art in her native Boston.

Provenance

The artist, to 1933 [according to annotated exh. cat., Boston Art Club, Memorial Exhibition of Paintings by Lilla Cabot Perry, Oct. 26–Nov. 18, 1933, copy in Museum of Fine Arts Library, Boston]. Mrs. George H. L. Smith, Palmer, MA, by 1983; sold to Vose Galleries, Boston, October 17, 1983; sold to Abbot W. and Marcia L. Vose, Boston, June 11, 1984; sold/given to the Art Institute of Chicago, 2020.

At the River's Bend (On the River II)

Lilla Cabot Perry

1895

Accession Number

256797

Medium

Oil on canvas

Dimensions

65.5 × 81.5 cm (25 13/16 × 32 1/8 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Partial gift of Abbot W. and Marcia L. Vose; through prior bequest of Arthur Rubloff; through prior gift of James D. Thornton, Mrs. Abram Poole, and Elizabeth Sprague Coolidge; through prior bequest of Celia Schmidt; Mr. and Mrs. Frank G. Logan Purchase Prize Fund; Mr. and Mrs. Frederick G. Wacker Jr. Endowment Fund

Background & Context

Background Story

Lilla Cabot Perrys At the Rivers Bend (On the River II) from 1895 is an oil painting that demonstrates the American Impressionist painters synthesis of the French Impressionist techniques she absorbed during her years in Giverny with the American landscape tradition of pastoral river scenes. Perry, who was one of the first American artists to settle in Giverny and establish a close friendship with Claude Monet, developed a style that combined Monets approach to broken color and atmospheric light with the more structured compositions and tonal values of Boston painting. At the Rivers Bend depicts a river landscape seen from an elevated viewpoint that allows the viewer to appreciate the curve of the river and the reflection of sky and trees in its surface, a composition that combines the horizontal sweep of the Impressionist landscape with the vertical accents of the trees that line the riverbank. The year 1895 places this painting in the period when Perry was producing her most accomplished Impressionist work, working alongside Monet in Giverny during the summers and exhibiting in Boston and Paris during the winters. The oil on canvas medium, applied in the broken brushstrokes and chromatic richness of French Impressionism, creates a surface that vibrates with light and color while maintaining the compositional structure that distinguishes American Impressionism from its French counterpart.

Cultural Impact

Perrys paintings are significant documents of the American Impressionist movement and of the direct influence of Monet on American painting. At the Rivers Bend exemplifies the synthesis of French Impressionist technique and American compositional structure that made her work influential for the development of Impressionism in the United States.

Why It Matters

A 1895 oil painting by Perry depicting a river landscape in the Impressionist style she developed under Monets direct influence in Giverny, combining French broken color and atmospheric light with the structured compositions of the Boston painting tradition.