Provenance
With Macbeth Gallery, New York, 1915 [Inventory Records, box 111, folder 26, Macbeth Gallery Records, Archives of American Art, Smithsonian Institution, Washington, DC]; sold to Mr. Martin A. Ryerson (1856–1932) and Mrs. Carrie Ryerson (1859–1937), Chicago, 1917; bequeathed to the Art Institute of Chicago, 1933.
Accession Number
16684
Medium
Oil on canvas
Dimensions
64.8 × 104.1 cm (25 1/2 × 41 in.)
Classification
Painting
Credit Line
Mr. and Mrs. Martin A. Ryerson Collection
Background & Context
Background Story
Arthur B. Davies's "Sacramental Tree" (1915) is an oil on canvas that reflects the artist's interest in nature as a site of spiritual meaning. Davies was a central figure in the American symbolist movement, creating works that use landscape and figure to evoke transcendent states of consciousness. "Sacramental Tree" depicts a tree that seems to radiate spiritual significance—its branches reaching upward like arms in prayer, its form silhouetted against a glowing, atmospheric sky. Nude figures, rendered in Davies's characteristic elongated, idealized style, may inhabit the landscape below, their small scale emphasizing the tree's monumental presence. The title makes explicit the religious dimension: the tree as a natural altar, a site of communion between earth and sky. Davies's work from this period shows the influence of both the Italian Renaissance (particularly the lyrical landscapes of Giorgione) and contemporary European Symbolism. His poetic, mystical approach to landscape offered an alternative to the realism and regionalism that dominated much American art of the period.
Cultural Impact
Davies's symbolist landscapes represent a distinctive American engagement with the spiritual dimensions of nature, anticipating the interest in transcendent experience that would emerge in later 20th-century art.
Why It Matters
This painting transforms an ordinary tree into a sacred presence, the glowing atmosphere and idealized figures creating a vision of nature as a place of spiritual revelation.