Madame Arthur Fontaine (Marie Escudier Fontaine) in a Pink Shawl

Description

Marie Escudier Fontaine appears to be enjoying a quiet moment at home in this portrait, one of many that Edouard Vuillard painted of her. Vuillard emphasized the intimacy of the scene through his compression of space, achieved by the unusual viewpoint from above and behind, and through his use of flat patches of color and pattern. The artist first developed a friendship with Marie and her husband Arthur Fontaine, and maintained his close relationship with Marie following her divorce from Fontaine in 1905. A pianist herself, she socialized within a circle of prominent artists, musicians, writers, and patrons, including Post-Impressionists like Vuillard.

Provenance

Purchased from the artist by Bernheim-Jeune, Paris [stock no. 13494], 6 Jan. 1904, 700 francs. Adolphe Tavernier, Paris, 7 Jan. 1904, 850 francs. Tavernier sale, Hôtel Drouot, Paris, 15 Apr. 1907, lot 58 (as La Dame à l’écharpe rose). Galerie Astre, 2,600 francs. Jules Chavasse, Paris. Chavasse sale, Hôtel Drouot, Paris, 22 June 1922, lot 45. S. Sevadjian, Paris, 10,300 francs. Sevadjian sale, Hôtel Drouot, Paris, 2-3 June 1927, lot 43. Dru, Paris, 32,500 francs. De Hauke, New York. Charles H. Worcester, Chicago, 1928; on loan to the Art Institute of Chicago, Chicago, 1930; given to the Art Institute of Chicago, 1947.

Madame Arthur Fontaine (Marie Escudier Fontaine) in a Pink Shawl

Édouard Jean Vuillard

c. 1904-05

Accession Number

59976

Medium

Gouache and oil on cardboard mounted on cardboard

Dimensions

50.2 × 43.8 cm (19 3/4 × 17 1/4 in.); Framed: 69.9 × 63.5 × 11.5 cm (27 1/2 × 25 × 4 1/2 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Charles H. and Mary F. S. Worcester Collection

Background & Context

Background Story

Édouard Vuillard's "Madame Arthur Fontaine in a Pink Shawl" (c. 1904-05) is a gouache and oil on cardboard mounted on cardboard, depicting Marie Escudier Fontaine, the wife of the French industrialist and art patron Arthur Fontaine. Vuillard (1868–1940) was the master of the intimate portrait, and his depictions of fashionable women in domestic interiors are among the most characteristic works of his mature period. Madame Fontaine is shown in a pink shawl, her elegant figure set against the patterned interior that Vuillard so loved to paint. The combination of gouache and oil on cardboard gives the painting a distinctive matte surface that suits Vuillard's decorative sensibility. The pink shawl provides a central focus of color against the more subdued tones of the background. Vuillard's portraits of society women from this period show him working at the height of his commercial success, producing works that combined the intimacy of his Nabi style with the sophistication demanded by his fashionable subjects.

Cultural Impact

Vuillard's portraits of society women represent the intersection of Nabi aesthetics and Belle Époque sophistication, documenting the fashionable world of early 20th-century Paris with extraordinary sensitivity to pattern and atmosphere.

Why It Matters

This portrait of Madame Fontaine in a pink shawl captures Vuillard's mature style at its most refined, the intimate domestic setting and the sitter's elegant presence combined in a work of quiet sophistication.