View of Concord

Provenance

Recorded as from Connecticut. (Mary Allis, Southport, Connecticut), by whom sold in 1949 to Edgar William and Bernice Chrysler Garbisch; gift to NGA, 1978.

View of Concord

American 19th Century

c. 1830

Accession Number

1978.80.21

Medium

oil on canvas

Dimensions

overall: 66.1 x 99.4 cm (26 x 39 1/8 in.) | framed: 77.5 x 111.1 x 3.8 cm (30 1/2 x 43 3/4 x 1 1/2 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Gift of Edgar William and Bernice Chrysler Garbisch

Tags

Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas American

Background & Context

Background Story

View of Concord, painted around 1830, depicts the town of Concord, Massachusetts, rendered in the precise topographic style that characterized American landscape painting in the early 19th century. The painting captures the town tranquil setting among hills, fields, and Rivers, presenting a vision of New England that was both a record of a specific place and a statement of American identity. Concord, Massachusetts, held a special place in the American imagination. Site of the first battle of the Revolutionary War in 1775 and home to the Transcendentalist philosophers Emerson and Thoreau, the town embodied the New England values of independence, self-reliance, and harmony with nature. Landscape paintings of Concord, produced throughout the 19th century, contributed to the construction of a specifically American pastoral ideal. The painting belongs to the tradition of topographic landscape that preceded the Hudson River School. Working before the grandiose ambitions of Church and Bierstadt, the painter renders the Concord landscape with a modesty and specificity that reflects the New England character: no dramatic mountains, no sublime waterfalls, just a quiet town in a gentle landscape, painted with the care of a resident rather than the enthusiasm of a tourist.

Cultural Impact

Early American topographic landscapes documented the appearance of towns and landscapes that were rapidly changing under the pressure of industrialization, creating a visual record of the pre-industrial New England that would become a pillar of American cultural identity. Their influence on the construction of the New England pastoral shaped American literature, painting, and cultural politics.

Why It Matters

This painting captures the quiet self-sufficiency of early New England: a town that needs no mountains to be beautiful, no drama to be significant. Concord, rendered with the modesty of its own character, is the American landscape at its most local and most meaningful - a place where the grand themes of liberty and nature are lived out in the daily routines of a small New England town.