New York with View of the Flatiron Building

Description

This lively work painted over a graphite sketch is a view looking down Broadway to the Flatiron Building at the corner of Twenty-Third Street and Fifth Avenue. The tall, narrow structure, seven blocks from Stieglitz’s gallery 291, was also the subject of photographs by Marin’s friends Stieglitz and Edward Steichen. This sheet demonstrates Marin’s increasingly fluid handling of paint, particularly where he pulled his brush, loaded with blue wash, around the tops of the buildings. Tilting the paper upright, he allowed the watercolor to pool at the end of each stroke, creating a vibrant pattern of gradating tone.

Provenance

Alfred Stieglitz (1864–1946), New York; Stieglitz Estate (Georgia O'Keeffe (1887–1986), executor); given to the Art Institute of Chicago, 1956.

New York with View of the Flatiron Building

John Marin

1910

Accession Number

2908

Medium

Watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed)

Dimensions

33.9 × 25.4 cm (13 3/8 × 10 in.)

Classification

watercolor

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Alfred Stieglitz Collection

Background & Context

Background Story

John Marin's New York with View of the Flatiron Building (1910) is a watercolor with graphite on lightweight cream wove paper. The Flatiron Building, completed in 1902 at the intersection of Broadway and Fifth Avenue, was one of the most iconic skyscrapers of early 20th-century New York. Marin's treatment captures the distinctive triangular shape of the building as it rises above the surrounding streets. The watercolor technique is bold and expressive, the building rendered not as a precise architectural study but as a dynamic form that embodies the energy of the modern city. The graphite adds linear accents that define the building's structure. The cream wove paper provides a warm ground. This watercolor belongs to Marin's celebrated series of New York views from 1910, which together constitute one of the most important bodies of work in the history of American modernism. The Flatiron Building had been painted by many artists, but Marin's treatment is uniquely his own: a vision of the building as a living, dynamic presence in the life of the city.

Cultural Impact

Marin's Flatiron Building watercolor is one of the most famous images of the iconic skyscraper, capturing the energy and modernity of early 20th-century New York.

Why It Matters

This watercolor of the Flatiron Building captures the iconic skyscraper with Marin's characteristic energy, the bold washes and expressive handling transforming the building into a symbol of modern urban vitality.