Skyline with Boats in Foreground

Description

Sketched from the deck of the ferry that carried him back and forth from New Jersey to Manhattan, this view inspired Marin to improvise with his watercolors. For example, he explored a novel, indirect means of outlining the top of the Singer Building, painting a round blue stroke and, before the wash dried, touching his rag or blotting paper to its center and wicking out the wet color, leaving only the outline behind. He also floated one wet hue into another on the lightweight sketchbook sheet, allowing soft, feathered patterns to emerge as the colored strokes collided and dispersed.

Provenance

Alfred Stieglitz (1864–1946), New York; Stieglitz Estate (Georgia O'Keeffe (1887–1986), executor); given to the Art Institute of Chicago, 1956.

Skyline with Boats in Foreground

John Marin

1910

Accession Number

2913

Medium

Watercolor with wiping, scraping, and blotting, and graphite with charcoal, on lightweight, smooth, cream wove paper (left and lower edges trimmed), laid down on white wove card

Dimensions

25.4 × 35.4 cm (10 × 13 15/16 in.)

Classification

watercolor

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Alfred Stieglitz Collection

Background & Context

Background Story

John Marin's Skyline with Boats in Foreground (1910) is a watercolor with wiping, scraping, and blotting, and graphite with charcoal, on lightweight cream wove paper. This work shows the New York skyline seen from the river or harbor, with boats in the foreground providing a sense of scale and activity. The skyline is rendered as a jagged silhouette, the buildings rising against the sky in a rhythm of vertical forms. The wiping, scraping, and blotting techniques create varied textures that suggest the movement of water and the atmosphere of the harbor. The graphite and charcoal add structural definition. Marin's views of New York from the water are among his most beautiful works, capturing the city as it appears to those approaching it from the river. This watercolor belongs to the remarkable series of works Marin produced in 1910, the year that established his reputation as the leading American watercolorist of his generation.

Cultural Impact

Marin's harbor views of New York are among the most poetic images of the city in American art, capturing the sense of arrival and the dramatic silhouette of the skyline.

Why It Matters

This watercolor of the New York skyline with boats captures the city as seen from the water, Marin's expressive techniques conveying the atmosphere of the harbor and the dramatic silhouette of the skyline.