Weehawken, New Jersey

Description

Unified by somber blue-gray washes painted wet-into-wet and enlivened by small touches of bright, warm color, this sheet recalls watercolors Marin painted of the Seine River. Imbued with the quiet mood of a Whistler nocturne, this watercolor also utilizes an important motif from Chinese painting: the artist suggested the spiky branches of a bare tree with strokes of black watercolor, gracefully balancing and screening the view of the distant skyline. The riverbank at Weehawken was a site Marin knew from his youth; that he was drawn back to it for this perspective on the metropolis bears out his statement, “As for subject matter—I go places intimate to me and in those intimate places I start to paint my painting.”

Provenance

Alfred Stieglitz (1864–1946), New York; Stieglitz Estate (Georgia O'Keeffe (1887–1986), executor); given to the Art Institute of Chicago, 1956.

Weehawken, New Jersey

John Marin

1910

Accession Number

2917

Medium

Watercolor with opaque watercolor, rewetting and touches of blotting, on lightweight, slightly textured, off-white wove paper, laid down on white wove paper

Dimensions

22.3 × 29.6 cm (8 13/16 × 11 11/16 in.)

Classification

watercolor

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Alfred Stieglitz Collection

Background & Context

Background Story

John Marin's Weehawken, New Jersey (1910) is a watercolor with opaque watercolor, rewetting and touches of blotting on lightweight off-white wove paper. This work focuses on the New Jersey shore, with its industrial and residential structures along the waterfront. Marin's treatment captures the particular character of Weehawken, a community perched on the cliffs above the Hudson River. The addition of opaque watercolor (gouache) gives certain passages greater solidity and weight. The rewetting and blotting techniques create varied textures. Marin's watercolors of the New Jersey shore are less well-known than his New York subjects but equally accomplished, capturing the industrial energy and the particular light of the Hudson River waterfront. This work from 1910 belongs to the most productive and innovative period of Marin's career, when he was producing the watercolors that would establish him as a leading figure in American modernism.

Cultural Impact

Marin's New Jersey waterfront scenes document the industrial landscape of the Hudson River, finding beauty in the docks, factories, and working harbor of the early 20th century.

Why It Matters

This watercolor of Weehawken captures the industrial character of the New Jersey shore, the opaque watercolor and experimental techniques creating a vivid image of the waterfront at work.